Movie Information
Domestic Total: 5.84K
Opening Weekend: 4.5K
Legs: 1.30
Overview: A paranormal-obsessed man mounts his own investigation into the beyond with his depressed best friend, misfit nephew, a cable access medium and an overeager security guard.
TMDB
IMDB
Metacritic
RT Tomato
RT Popcorn
Letterboxd
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Aug 12, 2016 | $1,723 | + 0.00% | 10 |
| Sat, Aug 13, 2016 | $2,288 | + 32.79% | 10 |
| Sun, Aug 14, 2016 | $488 | -78.67% | 10 |
| Mon, Aug 15, 2016 | $300 | -38.52% | 10 |
| Tue, Aug 16, 2016 | $415 | + 38.33% | 10 |
| Wed, Aug 17, 2016 | $329 | -20.72% | 10 |
| Thu, Aug 18, 2016 | $294 | -10.64% | 10 |
Cast
| Name | Character |
|---|---|
| Amy Sedaris | Victoria |
| Martin Barabas | Detective Whittards |
| Justin Long | Ross |
| Jon Heder | Louis |
| David Krumholtz | Stan |
| Melonie Diaz | Ellie |
| Veronika Dash | Officer Finley |
| Tom Schiller | Mitch |
| Paul W. Downs | Zak |
| Joel Marsh Garland | Hammer |
| Rob DeRosa | Crazy Junkie |
| Doug Drucker | Tattooed Junkie |
| Steve Gonsalves | Randy |
| Jason Hawes | Troy |
| Clem McIntosh | H.J |
| Shane Velez | Emergency Medical Tech |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Hunt for the Wilderpeople | Mar 31, 2016 | $3M |
| Compadres | Mar 31, 2016 | $3M |
| Mistress America | Aug 14, 2015 | $0 |
| Grandma | Jun 4, 2015 | $600K |
| Radio Dreams | Feb 1, 2016 | $0 |
| Ladrones | Oct 9, 2015 | $0 |
| The Vatican Tapes | Jul 23, 2015 | $13M |
| Miss You Already | Sep 12, 2015 | $0 |
Profitability Breakdown
Domestic
Week 1: $5.84K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
International
$N/A (0.00%)
Investor Share: $N/A
Costs
Budget: $N/A
P&A: $N/A
Breakdown
Gross: $5.84K
Net: $3.5K
Costs: $0.00
Profit
Profit: $3.5K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
