Domestic Total: 94.18K
Opening Weekend: 0.00
Legs: 1.00
Overview: A family imprisoned by intruders is forced to play a terrifying game of "Kill, Or Be Killed". As the night unfolds, the game's mysterious rules become clear, and the family realizes their nightmare is being streamed live to riveted viewers all over the world, who are compelled to KEEP WATCHING... not knowing if what they're seeing is real, or staged.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Tue, Oct 31, 2017 | $94,178 | + 0.00% | 805 |
| Name | Character |
|---|---|
| Bella Thorne | Jamie Mitchell |
| Chandler Riggs | John Mitchell |
| Natalie Martinez | Nicole |
| Ioan Gruffudd | Carl Mitchell |
| Maya Eshet | The Wasp |
| Matthew Willig | The Terror |
| Leigh Whannell | Matt |
| Jared Abrahamson | Josh |
| Roger Craig Smith | The Creator (Voice) |
| Christopher James Baker | The Creator |
| Naibe Reynoso | Reporter |
| April McCullough | Betty Mitchell |
| Savannah Douglas | Young Jamie (uncredited) |
| James M. Connor | Therapist |
| Carlos Arellano | Sheriff |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| The Accountant | Oct 13, 2016 | $44M |
| The Gift | Jul 31, 2015 | $5M |
| Money Monster | May 12, 2016 | $27M |
| 10 Cloverfield Lane | Mar 10, 2016 | $15M |
| The Shallows | Jun 24, 2016 | $17M |
| Regression | Oct 1, 2015 | $20M |
| Don't Breathe | Jun 8, 2016 | $10M |
| The Perfect Guy | Sep 11, 2015 | $12M |
Week 1: $94.18K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$N/A (0.00%)
Investor Share: $N/A
Budget: $N/A
P&A: $N/A
Gross: $94.18K
Net: $56.51K
Costs: $0.00
Profit: $56.51K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.