Domestic Total: 3.61M
Opening Weekend: 3.31M
Legs: 1.09
Overview: As war and plague devastate 14th-century England, a humble peasant ignites a rebellion, uniting an army of commoners to defy the King’s might in a desperate fight for justice and survival.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Sep 11, 2026 | $1,382,940 | + 0.00% | 2068 |
| Sat, Sep 12, 2026 | $1,142,785 | -17.37% | 2068 |
| Sun, Sep 13, 2026 | $785,360 | -31.28% | 2068 |
| Mon, Sep 14, 2026 | $296,150 | -62.29% | 2068 |
| Name | Character |
|---|---|
| Andrew Garfield | Ploughman |
| Jamie Bell | John Ball |
| Stephen Dillane | Simon Sudbury |
| Tom Hollander | Sir Robert Hales |
| Cosmo Jarvis | Wat Tyler |
| Thomasin McKenzie | Alyce |
| Jonny Lee Miller | William Walworth |
| Woody Norman | Richard II of England |
| Katherine Waterston | Joan of Kent |
| Stanley Townsend | Robert Bealknap |
| Sky Yang | Scribe |
| Dónal Finn | Village Priest |
| Charly Kuschel | The King's Scribe |
| Gerald Tyler | Thomas Beauchamp, 12th Earl of Warwick |
| Simon Kunz | Sir John Newton |
| Helena Wigan | Rebel (uncredited) |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Hacksaw Ridge | Oct 7, 2016 | $40M |
| Back to Black | Apr 11, 2024 | $30M |
| Straight Outta Compton | Aug 11, 2015 | $28M |
| Call Jane | Oct 27, 2022 | $0 |
| The Apprentice | Oct 9, 2024 | $16M |
| Free State of Jones | Jun 24, 2016 | $50M |
| The Woman King | Sep 16, 2022 | $50M |
| Spencer | Nov 4, 2021 | $18M |
Week 1: $3.61M
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$N/A (0.00%)
Investor Share: $N/A
Budget: $N/A
P&A: $N/A
Gross: $3.61M
Net: $2.16M
Costs: $0.00
Profit: $2.16M
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.