Domestic Total: 17.81K
Opening Weekend: 14.01K
Legs: 1.27
Overview: A young man in 1981 South Africa must complete his brutal and racist two years of compulsory military service while desperately maintaining the secrecy of his homosexuality.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Apr 9, 2021 | $4,449 | + 0.00% | 51 |
| Sat, Apr 10, 2021 | $5,277 | + 18.61% | 51 |
| Sun, Apr 11, 2021 | $4,281 | -18.87% | 51 |
| Mon, Apr 12, 2021 | $765 | -82.13% | 51 |
| Tue, Apr 13, 2021 | $648 | -15.29% | 51 |
| Wed, Apr 14, 2021 | $1,062 | + 63.89% | 51 |
| Thu, Apr 15, 2021 | $1,330 | + 25.24% | 51 |
| Name | Character |
|---|---|
| Kai Luke Brummer | Nicholas Van der Swart |
| Ryan de Villiers | Dylan Stassen |
| Matthew Vey | Michael Sachs |
| Hilton Pelser | Sergeant Brand |
| Wynand Ferreira | Snyman |
| Jan Combrink | Jan Gould |
| Stefan Vermaak | Oscar Fourie |
| Hendrik Nieuwoudt | Roos |
| Shaun Chad Smit | Dewald Van Der Merwe |
| Rikus Terblanche | Bester |
| Matt Ashwell | Young Nicholas |
| Ludwig Baxter | Brent Siebert |
| Philippa Berrington-Blew | June Stassen |
| Mitchell Christy | Jones |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Their Finest | Feb 19, 2017 | $12M |
| Brooklyn | Oct 20, 2015 | $11M |
| Ophelia | Jun 28, 2019 | $12M |
| The Exception | Jun 2, 2017 | $0 |
| Yardie | Aug 31, 2018 | $0 |
| Carol | Nov 20, 2015 | $12M |
| On Chesil Beach | Jan 19, 2018 | $746K |
| The Aftermath | Mar 1, 2019 | $0 |
Week 1: $17.81K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$4.18K (19.01%)
Investor Share: $1.46K
Budget: $N/A
P&A: $N/A
Gross: $21.99K
Net: $12.15K
Costs: $0.00
Profit: $12.15K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.