Domestic Total: 9.99M
Opening Weekend: 2.83M
Legs: 3.28
Overview: A live broadcast of a late-night talk show in 1977 goes horribly wrong, unleashing evil into the nation's living rooms.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Mar 22, 2024 | $1,159,058 | + 0.00% | 1034 |
| Sat, Mar 23, 2024 | $1,015,434 | -12.39% | 1034 |
| Sun, Mar 24, 2024 | $660,375 | -34.97% | 1034 |
| Mon, Mar 25, 2024 | $308,902 | -53.22% | 1034 |
| Tue, Mar 26, 2024 | $351,501 | + 13.79% | 1034 |
| Wed, Mar 27, 2024 | $305,921 | -12.97% | 1034 |
| Thu, Mar 28, 2024 | $287,567 | -6.00% | 1034 |
| Fri, Mar 29, 2024 | $776,474 | + 170.01% | 1442 |
| Sat, Mar 30, 2024 | $871,776 | + 12.27% | 1442 |
| Sun, Mar 31, 2024 | $513,852 | -41.06% | 1442 |
| Mon, Apr 1, 2024 | $303,710 | -40.90% | 1442 |
| Tue, Apr 2, 2024 | $314,028 | + 3.40% | 1442 |
| Wed, Apr 3, 2024 | $272,713 | -13.16% | 1442 |
| Thu, Apr 4, 2024 | $195,940 | -28.15% | 1442 |
| Fri, Apr 5, 2024 | $351,442 | + 79.36% | 1159 |
| Sat, Apr 6, 2024 | $466,445 | + 32.72% | 1159 |
| Sun, Apr 7, 2024 | $272,862 | -41.50% | 1159 |
| Mon, Apr 8, 2024 | $106,732 | -60.88% | 1159 |
| Tue, Apr 9, 2024 | $145,128 | + 35.97% | 1159 |
| Wed, Apr 10, 2024 | $123,431 | -14.95% | 1159 |
| Thu, Apr 11, 2024 | $77,397 | -37.30% | 1159 |
| Fri, Apr 12, 2024 | $146,558 | + 89.36% | 607 |
| Sat, Apr 13, 2024 | $184,448 | + 25.85% | 607 |
| Sun, Apr 14, 2024 | $120,056 | -34.91% | 607 |
| Mon, Apr 15, 2024 | $47,146 | -60.73% | 607 |
| Tue, Apr 16, 2024 | $55,363 | + 17.43% | 607 |
| Wed, Apr 17, 2024 | $49,461 | -10.66% | 607 |
| Thu, Apr 18, 2024 | $32,488 | -34.32% | 607 |
| Fri, Apr 19, 2024 | $51,078 | + 57.22% | 251 |
| Sat, Apr 20, 2024 | $61,927 | + 21.24% | 251 |
| Sun, Apr 21, 2024 | $39,165 | -36.76% | 251 |
| Mon, Apr 22, 2024 | $16,183 | -58.68% | 251 |
| Tue, Apr 23, 2024 | $23,458 | + 44.95% | 251 |
| Wed, Apr 24, 2024 | $18,768 | -19.99% | 251 |
| Thu, Apr 25, 2024 | $13,677 | -27.13% | 251 |
| Fri, Apr 26, 2024 | $36,465 | + 166.62% | 275 |
| Sat, Apr 27, 2024 | $44,346 | + 21.61% | 275 |
| Sun, Apr 28, 2024 | $29,685 | -33.06% | 275 |
| Mon, Apr 29, 2024 | $13,085 | -55.92% | 275 |
| Tue, Apr 30, 2024 | $14,772 | + 12.89% | 275 |
| Wed, May 1, 2024 | $13,402 | -9.27% | 275 |
| Thu, May 2, 2024 | $9,380 | -30.01% | 275 |
| Fri, May 3, 2024 | $9,507 | + 1.35% | 66 |
| Sat, May 4, 2024 | $10,374 | + 9.12% | 66 |
| Sun, May 5, 2024 | $6,056 | -41.62% | 66 |
| Mon, May 6, 2024 | $2,588 | -57.27% | 66 |
| Tue, May 7, 2024 | $2,940 | + 13.60% | 66 |
| Wed, May 8, 2024 | $3,842 | + 30.68% | 66 |
| Thu, May 9, 2024 | $2,090 | -45.60% | 66 |
| Fri, May 10, 2024 | $3,691 | + 76.60% | 30 |
| Sat, May 11, 2024 | $6,308 | + 70.90% | 30 |
| Sun, May 12, 2024 | $1,239 | -80.36% | 30 |
| Mon, May 13, 2024 | $1,164 | -6.05% | 30 |
| Tue, May 14, 2024 | $1,395 | + 19.85% | 30 |
| Wed, May 15, 2024 | $965 | -30.82% | 30 |
| Thu, May 16, 2024 | $669 | -30.67% | 30 |
| Fri, Jun 7, 2024 | $27,905 | + 4071.15% | 522 |
| Sat, Jun 8, 2024 | $3,903 | -86.01% | 522 |
| Sun, Jun 9, 2024 | $4,680 | + 19.91% | 522 |
| Name | Character |
|---|---|
| David Dastmalchian | Jack Delroy |
| Laura Gordon | June Ross-Mitchell |
| Ian Bliss | Carmichael Haig |
| Fayssal Bazzi | Christou |
| Ingrid Torelli | Lilly D'Abo |
| Rhys Auteri | Gus McConnell |
| Georgina Haig | Madeleine Piper |
| Josh Quong Tart | Leo Fiske |
| Steve Mouzakis | Szandor D'Abo |
| Paula Arundell | Diane |
| Tamala Shelton | Carol |
| Christopher Kirby | Phil |
| Gaby Seow | Sammy |
| Elise Jansen | Cavewoman |
| John O'May | Walker Bedford |
| Clare Chihambakwe | Stacey |
| Amelie Mendosa | Christou's Assistant |
| Grace Cummings | Peggy Decay |
| Michael Ironside | The Narrator (voice) |
| Andre Switzer | Lou |
| Declan Fay | Cue Card Guy |
| Milena Berhane | Production Assistant 1 |
| Leah Wilbraham | Production Assistant 2 |
| Chase Kauffman | Stage Hand 1 |
| Miranda Bloom | Stage Hand 2 |
| Mitchell Brotz | Stage Hand 3 |
| Caspian Dezfouli | Camera Operator 1 |
| Rod Lara | Camera Operator 2 |
| Nicole Chapman | Cleo James |
| Steven Kwon | Skeleton Man |
| Imaan Hadchiti | Frank Khoury |
| Farhad Zaiwala | Spoon Bender |
| Jarrad Pidoto | Military Officer |
| Paddy Shiels | Vietnam Vet |
| Aya Cairnes | Levitating Woman |
| Gerasimos Grammenos | FBI Agent |
| Pearl Grammenos | Infant Lilly |
| Adam Batt | Head of Airtime |
| Raoul Salter | Vice President of Marketing |
| Janine Lum | Vice President of Marketing's Wife |
| Rik Brown | Annointed Grove Member |
| Scarlett Varga | Young Lilly |
| Sarah Lorey | Spinning Wheel Lady |
| Tiare Skeats | High Priestess |
| Anna van Guens | D'Abo's Disciple |
| Arkie Simpson-Purdon | D'Abo's Disciple |
| Daisy Anderson | D'Abo's Disciple |
| Joel Anderson | D'Abo's Disciple |
| Miles Brown | D'Abo's Disciple |
| Scott Purdon | D'Abo's Disciple |
| Quincy Simpson-Purdon | D'Abo's Disciple |
| Jason Rout | Grove Member |
| Jeff Schwisow | Grove Member |
| Michael McArthur | Grove Member |
| Jason Marion | Orson |
| Angus Neale | David Dastmalchian Stand In |
| Julia Pretto | Ingrid Torelli Stand In |
| John Leary | Barry |
| Déborrah Moogy Morgan | French Director |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| The Gallows | Jul 9, 2015 | $100K |
| The Purge: Election Year | Jun 29, 2016 | $10M |
| Paranormal Activity: The Ghost Dimension | Oct 21, 2015 | $10M |
| The Neon Demon | May 31, 2016 | $7M |
| The Witch | Feb 19, 2016 | $4M |
| Watcher | Jun 3, 2022 | $5M |
| X | Mar 17, 2022 | $1M |
| Pearl | Sep 16, 2022 | $1M |
Week 1: $4.09M
Week 2: $3.25M
Investor Share: $1.79M
Week 3+: $2.65M
Investor Share: $1.33M
$5.43M (35.22%)
Investor Share: $1.9M
Budget: $2M
P&A: $2M
Gross: $15.42M
Net: $7.47M
Costs: $4M
Profit: $3.47M
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.