Domestic Total: 25.09M
Opening Weekend: 9.31M
Legs: 2.48
Overview: San Jose, California, 1906. Isolated in her labyrinthine mansion, eccentric firearm heiress Sarah Winchester believes that she is being haunted by the souls of those killed by the guns manufactured by her company.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Feb 2, 2018 | $3,622,125 | + 0.00% | 2480 |
| Sat, Feb 3, 2018 | $4,136,849 | + 14.21% | 2480 |
| Sun, Feb 4, 2018 | $1,548,652 | -62.56% | 2480 |
| Mon, Feb 5, 2018 | $696,786 | -55.01% | 2480 |
| Tue, Feb 6, 2018 | $959,605 | + 37.72% | 2480 |
| Wed, Feb 7, 2018 | $603,399 | -37.12% | 2480 |
| Thu, Feb 8, 2018 | $559,942 | -7.20% | 2480 |
| Fri, Feb 9, 2018 | $1,386,162 | + 147.55% | 2480 |
| Sat, Feb 10, 2018 | $2,369,286 | + 70.92% | 2480 |
| Sun, Feb 11, 2018 | $1,455,769 | -38.56% | 2480 |
| Mon, Feb 12, 2018 | $424,855 | -70.82% | 2480 |
| Tue, Feb 13, 2018 | $528,030 | + 24.28% | 2480 |
| Wed, Feb 14, 2018 | $1,021,253 | + 93.41% | 2480 |
| Thu, Feb 15, 2018 | $317,466 | -68.91% | 2480 |
| Fri, Feb 16, 2018 | $572,403 | + 80.30% | 1479 |
| Sat, Feb 17, 2018 | $927,932 | + 62.11% | 1479 |
| Sun, Feb 18, 2018 | $705,360 | -23.99% | 1479 |
| Mon, Feb 19, 2018 | $413,461 | -41.38% | 1479 |
| Tue, Feb 20, 2018 | $235,553 | -43.03% | 1479 |
| Wed, Feb 21, 2018 | $176,980 | -24.87% | 1479 |
| Thu, Feb 22, 2018 | $143,906 | -18.69% | 1479 |
| Fri, Feb 23, 2018 | $262,233 | + 82.23% | 852 |
| Sat, Feb 24, 2018 | $432,494 | + 64.93% | 852 |
| Sun, Feb 25, 2018 | $234,723 | -45.73% | 852 |
| Mon, Feb 26, 2018 | $74,126 | -68.42% | 852 |
| Tue, Feb 27, 2018 | $93,609 | + 26.28% | 852 |
| Wed, Feb 28, 2018 | $67,838 | -27.53% | 852 |
| Thu, Mar 1, 2018 | $58,041 | -14.44% | 852 |
| Fri, Mar 2, 2018 | $137,855 | + 137.51% | 576 |
| Sat, Mar 3, 2018 | $245,115 | + 77.81% | 576 |
| Sun, Mar 4, 2018 | $133,422 | -45.57% | 576 |
| Mon, Mar 5, 2018 | $38,531 | -71.12% | 576 |
| Tue, Mar 6, 2018 | $51,081 | + 32.57% | 576 |
| Wed, Mar 7, 2018 | $40,144 | -21.41% | 576 |
| Thu, Mar 8, 2018 | $29,037 | -27.67% | 576 |
| Fri, Mar 9, 2018 | $47,071 | + 62.11% | 261 |
| Sat, Mar 10, 2018 | $77,488 | + 64.62% | 261 |
| Sun, Mar 11, 2018 | $43,070 | -44.42% | 261 |
| Mon, Mar 12, 2018 | $14,892 | -65.42% | 261 |
| Tue, Mar 13, 2018 | $20,586 | + 38.24% | 261 |
| Wed, Mar 14, 2018 | $15,946 | -22.54% | 261 |
| Thu, Mar 15, 2018 | $14,071 | -11.76% | 261 |
| Fri, Mar 16, 2018 | $15,705 | + 11.61% | 91 |
| Sat, Mar 17, 2018 | $23,631 | + 50.47% | 91 |
| Sun, Mar 18, 2018 | $10,740 | -54.55% | 91 |
| Mon, Mar 19, 2018 | $4,024 | -62.53% | 91 |
| Tue, Mar 20, 2018 | $4,760 | + 18.29% | 91 |
| Wed, Mar 21, 2018 | $4,034 | -15.25% | 91 |
| Thu, Mar 22, 2018 | $4,605 | + 14.15% | 91 |
| Fri, Mar 23, 2018 | $14,918 | + 223.95% | 90 |
| Sat, Mar 24, 2018 | $24,417 | + 63.67% | 90 |
| Sun, Mar 25, 2018 | $16,938 | -30.63% | 90 |
| Mon, Mar 26, 2018 | $7,018 | -58.57% | 90 |
| Tue, Mar 27, 2018 | $8,054 | + 14.76% | 90 |
| Wed, Mar 28, 2018 | $6,924 | -14.03% | 90 |
| Thu, Mar 29, 2018 | $8,901 | + 28.55% | 90 |
| Name | Character |
|---|---|
| Jason Clarke | Dr. Eric Price |
| Helen Mirren | Sarah Winchester |
| Sarah Snook | Marian Marriott |
| Finn Scicluna-O'Prey | Henry Marriott |
| Emm Wiseman | Nancy |
| Alana Fagan | Partially Dressed Lady #1 |
| Rebecca Makar | Partially Dressed Lady #2 |
| Tyler Coppin | Arthur Gates |
| Michael Carman | Frank |
| Angus Sampson | John Hansen |
| Alice Chaston | Clara |
| Eamon Farren | Ben Block |
| Laura Brent | Ruby Price |
| Adam Bowes | Farmer Amputee |
| Bruce Spence | Augustine |
| Phoenix Suhrou-Diamond | Native American Child |
| Jayden Irving | Carpenter #1 |
| Rosco Campbell | Carpenter #2 |
| Puven Pather | Carpenter #3 |
| Tom Heath | Wiry Carpenter |
| Curtis Bock | Harry Block |
| Andy de Lore | James Block |
| Graham Jahne | Innocent Man #1 |
| Hayden Stewart | Innocent Man #2 |
| Chris Anderson | Innocent Man #3 |
| Laura Sutton | Innocent Woman |
| Robert Shook | Police Officer #1 |
| Richard Anastasios | Police Officer #2 |
| Will Jones | Police Officer #3 |
| Luke Maizey | Police Officer #4 |
| James Baldwin | Police Officer #5 |
| Neil Solomano | Police Officer #6 |
| Amos Ciza | Slave Ghost |
| Red Horse Rivera | Chief Little Fawn |
| Timothy Brown | Ghost #1 |
| Kym Lannin | Ghost #2 - Farmer |
| Christian Rhodes-Wolfe | Ghost #3 - Union Soldier |
| Albert Trajstman | Ghost #4 - Sheriff |
| Xavier Gouault | Ghost #5 - Police Officer |
| Gawi Deng | Ghost #6 - Confederate Soldier |
| Ryuhei Tsukamoto | Ghost #7 - Rail Worker |
| Shane Holloway | Ghost #8 - Cowboy |
| Michael Boyd | Ghost #9 - Sheriff |
| Elisa Abascal | Ghost #10 - Mexican Woman |
| Akosia Sabet | Ghost #11 - Cotton Picker |
| Stephanie Beall | Ghost #12 - 1895 Wealthy Lady |
| Clancy Fraser | Ghost #13 - Prostitute |
| Chris Homa | Ghost #14 - Farmer's Wife |
| Rose Juan | Ghost #15 - Maid |
| Douglas Embry | Towns Person (uncredited) |
| Jeffrey W. Jenkins | Footman (uncredited) |
| Dawayne Jordan | Butler / Carpenter (uncredited) |
| Jeff Lipary | Carpenter (uncredited) |
| Homero Lopez | Carpenter (uncredited) |
| Marcus Orelias | Carpenter (uncredited) |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Split | Jan 19, 2017 | $9M |
| The Disappointments Room | Sep 9, 2016 | $15M |
| The Bye Bye Man | Jan 12, 2017 | $7M |
| The Boy | Jan 22, 2016 | $10M |
| Insidious: The Last Key | Jan 3, 2018 | $10M |
| Incarnate | Dec 1, 2016 | $5M |
| Flatliners | Sep 28, 2017 | $19M |
| The Forest | Jan 7, 2016 | $10M |
Week 1: $12.13M
Week 2: $7.5M
Investor Share: $4.13M
Week 3+: $5.46M
Investor Share: $2.73M
$20.87M (45.41%)
Investor Share: $7.3M
Budget: $4M
P&A: $4M
Gross: $45.96M
Net: $21.44M
Costs: $7M
Profit: $14.44M
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.