Movie Information
Domestic Total: 22.4M
Opening Weekend: 13.5M
Legs: 1.66
Overview: When three college students move into an old house off campus, they unwittingly unleash a supernatural entity known as The Bye Bye Man, who comes to prey upon them once they discover his name. The friends must try to save each other, all the while keeping The Bye Bye Man's existence a secret to save others from the same deadly fate.
TMDB
IMDB
Metacritic
RT Tomato
RT Popcorn
Letterboxd
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Jan 13, 2017 | $5,429,137 | + 0.00% | 2220 |
| Sat, Jan 14, 2017 | $4,847,243 | -10.72% | 2220 |
| Sun, Jan 15, 2017 | $3,224,969 | -33.47% | 2220 |
| Mon, Jan 16, 2017 | $1,702,745 | -47.20% | 2220 |
| Tue, Jan 17, 2017 | $647,012 | -62.00% | 2220 |
| Wed, Jan 18, 2017 | $403,012 | -37.71% | 2220 |
| Thu, Jan 19, 2017 | $305,512 | -24.19% | 2220 |
| Fri, Jan 20, 2017 | $1,114,541 | + 264.81% | 2220 |
| Sat, Jan 21, 2017 | $1,642,238 | + 47.35% | 2220 |
| Sun, Jan 22, 2017 | $673,876 | -58.97% | 2220 |
| Mon, Jan 23, 2017 | $172,654 | -74.38% | 2220 |
| Tue, Jan 24, 2017 | $240,733 | + 39.43% | 2220 |
| Wed, Jan 25, 2017 | $160,884 | -33.17% | 2220 |
| Thu, Jan 26, 2017 | $134,094 | -16.65% | 2220 |
| Fri, Jan 27, 2017 | $340,582 | + 153.99% | 1127 |
| Sat, Jan 28, 2017 | $572,019 | + 67.95% | 1127 |
| Sun, Jan 29, 2017 | $213,289 | -62.71% | 1127 |
| Mon, Jan 30, 2017 | $57,206 | -73.18% | 1127 |
| Tue, Jan 31, 2017 | $75,500 | + 31.98% | 1127 |
| Wed, Feb 1, 2017 | $55,127 | -26.98% | 1127 |
| Thu, Feb 2, 2017 | $32,043 | -41.87% | 1127 |
| Fri, Feb 3, 2017 | $71,639 | + 123.57% | 405 |
| Sat, Feb 4, 2017 | $119,836 | + 67.28% | 405 |
| Sun, Feb 5, 2017 | $31,372 | -73.82% | 405 |
| Mon, Feb 6, 2017 | $17,097 | -45.50% | 405 |
| Tue, Feb 7, 2017 | $18,490 | + 8.15% | 405 |
| Wed, Feb 8, 2017 | $14,413 | -22.05% | 405 |
| Thu, Feb 9, 2017 | $9,638 | -33.13% | 405 |
| Fri, Feb 10, 2017 | $13,037 | + 35.27% | 62 |
| Sat, Feb 11, 2017 | $27,662 | + 112.18% | 62 |
| Sun, Feb 12, 2017 | $9,858 | -64.36% | 62 |
| Mon, Feb 13, 2017 | $3,180 | -67.74% | 62 |
| Tue, Feb 14, 2017 | $9,097 | + 186.07% | 62 |
| Wed, Feb 15, 2017 | $3,122 | -65.68% | 62 |
| Thu, Feb 16, 2017 | $2,949 | -5.54% | 62 |
Cast
| Name | Character |
|---|---|
| Douglas Smith | Elliot |
| Lucien Laviscount | John |
| Cressida Bonas | Sasha |
| Doug Jones | The Bye Bye Man |
| Michael Trucco | Virgil |
| Jenna Kanell | Kim |
| Erica Tremblay | Alice |
| Marisa Echeverria | Trina |
| Cleo King | Mrs. Watkins |
| Faye Dunaway | Widow Redmon |
| Carrie-Anne Moss | Det. Shaw |
| Leigh Whannell | Larry Redmon |
| Keelin Woodell | Young Mrs. Redmon |
| Lara Knox | Jane |
| Jonathan Penner | Mr. Daizy |
| Nicholas Sadler | Professor Cooper |
| Martha Hackett | Giselle |
| Ava Penner | Anna |
| Andrew Gorell | Rick |
| Dan Anders | K-9 Police officer |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Krampus | Nov 26, 2015 | $15M |
| The Visit | Sep 10, 2015 | $5M |
| Paranormal Activity: The Ghost Dimension | Oct 21, 2015 | $10M |
| The Neon Demon | May 31, 2016 | $7M |
| The Shallows | Jun 24, 2016 | $17M |
| Incarnate | Dec 1, 2016 | $5M |
| The Forest | Jan 7, 2016 | $10M |
| The Boy | Jan 22, 2016 | $10M |
Profitability Breakdown
Domestic
Week 1: $16.56M
Week 2: $4.14M
Investor Share: $2.28M
Week 3+: $1.7M
Investor Share: $848.58K
International
$8.79M (28.19%)
Investor Share: $3.08M
Costs
Budget: $7M
P&A: $7M
Breakdown
Gross: $31.19M
Net: $16.14M
Costs: $14.8M
Profit
Profit: $1.34M
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
