Domestic Total: 1.13M
Opening Weekend: 64.54K
Legs: 5.65
Overview: Rural England, 1865. Katherine, suffocated by her loveless marriage to a bitter man and restrained by his father's tyranny, unleashes an irresistible force within her, so powerful that she will stop at nothing to get what she wants.
| Name | Character |
|---|---|
| Florence Pugh | Katherine Lester |
| Cosmo Jarvis | Sebastian |
| Paul Hilton | Alexander Lester |
| Naomi Ackie | Anna |
| Christopher Fairbank | Boris Lester |
| Golda Rosheuvel | Agnes |
| Anton Palmer | Teddy |
| Rebecca Manley | Mary |
| Fleur Houdijk | Tessa |
| Cliff Burnett | Father Peter |
| David Kirkbride | Edward |
| Bill Fellows | Dr. Burdon |
| Nicholas Lumley | Mr. Robertson |
| Raymond Finn | Mr. Kirkbride |
| Ian Conningham | Detective Logan |
| Finn Burridge | Farmhand #1 |
| Jack Robertson | Farmhand #2 |
| Kema Sikazwe | Farmhand #3 |
| Elliot Sinclair | Farmhand #4 |
| Andrew Davis | Gentleman #1 |
| Alan Billingham | Gentleman #2 |
| Bailey Palmer | Teddy Double |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Stonewall | Sep 18, 2015 | $14M |
| Macbeth | Sep 22, 2015 | $15M |
| American Pastoral | Oct 20, 2016 | $10M |
| Mr. Holmes | Jun 19, 2015 | $11M |
| Indignation | Jul 29, 2016 | $0 |
| Brooklyn | Oct 20, 2015 | $11M |
| The Danish Girl | Nov 27, 2015 | $15M |
| Carol | Nov 20, 2015 | $12M |
Week 1: $96.28K
Week 2: $191.69K
Investor Share: $105.43K
Week 3+: $841.44K
Investor Share: $420.72K
$5.35M (82.56%)
Investor Share: $1.87M
Budget: $N/A
P&A: $N/A
Gross: $6.48M
Net: $2.46M
Costs: $0.00
Profit: $2.46M
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.