Domestic Total: 3.37K
Opening Weekend: 2.17K
Legs: 1.05
Overview: A bipartisan group of U.S. defense, intelligence, and elected policymakers spanning five presidential administrations participate in an unscripted role-play exercise in which they confront a political coup backed by rogue members of the U.S. military, in the wake of a contested presidential election.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Thu, Sep 26, 2024 | $1,200 | + 0.00% | 3 |
| Fri, Sep 27, 2024 | $1,768 | + 47.33% | 2 |
| Sat, Sep 28, 2024 | $148 | -91.63% | 2 |
| Sun, Sep 29, 2024 | $251 | + 69.59% | 2 |
| Name | Character |
|---|---|
| Steve Bullock | President John Hotham |
| Wesley Clark | Chairman of the Joint Chiefs of Staff |
| Heidi Heitkamp | Senior Advisor to the President |
| Linda Singh | Chief / National Guard Bureau |
| Alexander Vindman | Game Consultant |
| Doug Jones | Attorney General |
| Elizabeth Neumann | Homeland Security Advisor |
| Janessa Goldbeck | Game Producer |
| Ralph Brown | Lieutenant General Roger Simms |
| Kristofer Goldsmith | Red Cell Leader |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Clean | Jan 28, 2022 | $0 |
| Super Dark Times | Sep 29, 2017 | $0 |
| The Violent Heart | Sep 9, 2020 | $0 |
| Safer at Home | Feb 26, 2021 | $0 |
| The Dead Center | Oct 11, 2019 | $0 |
| Mandy | Sep 13, 2018 | $6M |
| The God Committee | Jul 2, 2021 | $0 |
| What We Found | Jul 31, 2020 | $0 |
Week 1: $3.37K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$N/A (0.00%)
Investor Share: $N/A
Budget: $N/A
P&A: $N/A
Gross: $3.37K
Net: $2.02K
Costs: $0.00
Profit: $2.02K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.