Domestic Total: 23.61K
Opening Weekend: 13.81K
Legs: 1.71
Overview: Fifteen years after the murder of his older sister, taciturn Daniel finds himself falling for Cassie, a vivacious high school senior in this southern gothic-inspired Romeo & Juliet story set in the American heartland.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Feb 19, 2021 | $3,984 | + 0.00% | 93 |
| Sat, Feb 20, 2021 | $6,000 | + 50.60% | 93 |
| Sun, Feb 21, 2021 | $3,822 | -36.30% | 93 |
| Mon, Feb 22, 2021 | $793 | -79.25% | 6 |
| Tue, Feb 23, 2021 | $3,252 | + 310.09% | 63 |
| Wed, Feb 24, 2021 | $786 | -75.83% | 9 |
| Thu, Feb 25, 2021 | $977 | + 24.30% | 10 |
| Fri, Feb 26, 2021 | $1,000 | + 2.35% | 28 |
| Sat, Feb 27, 2021 | $1,800 | + 80.00% | 28 |
| Sun, Feb 28, 2021 | $1,200 | -33.33% | 28 |
| Name | Character |
|---|---|
| Grace Van Patten | Cassie |
| Jovan Adepo | Daniel |
| Lukas Haas | Joseph |
| Mary J. Blige | Nina |
| Kimberly Williams-Paisley | Helen |
| Jahi Di'Allo Winston | Aaron |
| Cress Williams | Lee |
| Rayven Symone Ferrell | Wendy |
| Jordan Preston Carter | Young Daniel |
| Allison Shrum | English Student |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Thoroughbreds | Mar 9, 2018 | $0 |
| Dreamland | Nov 27, 2019 | $0 |
| An Acceptable Loss | Jan 18, 2019 | $0 |
| The Wall | May 12, 2017 | $3M |
| Lucy in the Sky | Sep 20, 2019 | $0 |
| A Bigger Splash | Nov 26, 2015 | $0 |
| All I See Is You | Aug 10, 2017 | $30M |
| Super Dark Times | Sep 29, 2017 | $0 |
Week 1: $19.61K
Week 2: $4K
Investor Share: $2.2K
Week 3+: $0.00
Investor Share: $0.00
$N/A (0.00%)
Investor Share: $N/A
Budget: $N/A
P&A: $N/A
Gross: $23.61K
Net: $13.97K
Costs: $0.00
Profit: $13.97K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.