Movie Information
Domestic Total: 2.3K
Opening Weekend: 1.48K
Legs: 1.56
Overview: Under orders from a ruthless crime boss, a getaway driver must battle his conscience and drive an unsuspecting crew member to an ambush execution. There is a long drive ahead.
TMDB
IMDB
Metacritic
Letterboxd
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Feb 23, 2024 | $517 | + 0.00% | 12 |
| Sat, Feb 24, 2024 | $560 | + 8.32% | 12 |
| Sun, Feb 25, 2024 | $398 | -28.93% | 12 |
| Mon, Feb 26, 2024 | $153 | -61.56% | 12 |
| Tue, Feb 27, 2024 | $340 | + 122.22% | 12 |
| Wed, Feb 28, 2024 | $160 | -52.94% | 12 |
| Thu, Feb 29, 2024 | $173 | + 8.13% | 12 |
Cast
| Name | Character |
|---|---|
| Barry Pepper | Driver |
| Jamie Costa | Passenger |
| Liam McIntyre | Travis |
| Rachel Griffiths | Veronica |
| Sam Neill | Frank |
| Zachary Garred | Shaun |
| Alex Fleri | Janko |
| Marcus Johnson | C. Morales |
| Josemily Royle | Store Clerk |
| Allison Frances Boyd | Mother |
| Harrison Irvin | Jogger |
| Thomas Pitts | Budgy |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Destroyer | Dec 25, 2018 | $9M |
| The Card Counter | Sep 3, 2021 | $0 |
| Death House | Feb 28, 2018 | $0 |
| ECCO | Aug 9, 2019 | $0 |
| Ava | Jul 2, 2020 | $0 |
| Cop Car | Jul 8, 2015 | $800K |
| Becky | Jul 23, 2020 | $0 |
| The Contractor | Mar 10, 2022 | $0 |
Profitability Breakdown
Domestic
Week 1: $2.3K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
International
$52.85K (95.83%)
Investor Share: $18.5K
Costs
Budget: $N/A
P&A: $N/A
Breakdown
Gross: $55.15K
Net: $19.88K
Costs: $0.00
Profit
Profit: $19.88K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
Production Companies
