Domestic Total: 86.86K
Opening Weekend: 48.2K
Legs: 1.80
Overview: A former covert assassin seeks redemption by hunting the people responsible for his sinful past.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Aug 9, 2019 | $16,895 | + 0.00% | 155 |
| Sat, Aug 10, 2019 | $16,895 | + 0.00% | 155 |
| Sun, Aug 11, 2019 | $14,415 | -14.68% | 155 |
| Mon, Aug 12, 2019 | $8,990 | -37.63% | 155 |
| Tue, Aug 13, 2019 | $12,245 | + 36.21% | 155 |
| Wed, Aug 14, 2019 | $9,300 | -24.05% | 155 |
| Thu, Aug 15, 2019 | $6,200 | -33.33% | 155 |
| Fri, Aug 16, 2019 | $147 | -97.63% | 7 |
| Sat, Aug 17, 2019 | $231 | + 57.14% | 7 |
| Sun, Aug 18, 2019 | $245 | + 6.06% | 7 |
| Mon, Aug 19, 2019 | $287 | + 17.14% | 7 |
| Tue, Aug 20, 2019 | $532 | + 85.37% | 7 |
| Wed, Aug 21, 2019 | $343 | -35.53% | 7 |
| Thu, Aug 22, 2019 | $133 | -61.22% | 7 |
| Name | Character |
|---|---|
| Lathrop Walker | Michael |
| Helena Grace Donald | Aubrey |
| Mahria Zook | Stella |
| Michael Winters | Mulray |
| Vincent Cardinale | Todd |
| Bruce Weech | Broderick |
| Tabitha Bastien | Abby |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| All I See Is You | Aug 10, 2017 | $30M |
| Lowriders | Apr 28, 2017 | $916K |
| An Acceptable Loss | Jan 18, 2019 | $0 |
| Cop Car | Jul 8, 2015 | $800K |
| The Wall | May 12, 2017 | $3M |
| Death House | Feb 28, 2018 | $0 |
| Kicks | Sep 9, 2016 | $0 |
| Destroyer | Dec 25, 2018 | $9M |
Week 1: $84.94K
Week 2: $1.92K
Investor Share: $1.05K
Week 3+: $0.00
Investor Share: $0.00
$N/A (0.00%)
Investor Share: $N/A
Budget: $N/A
P&A: $N/A
Gross: $86.86K
Net: $52.02K
Costs: $0.00
Profit: $52.02K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.