Domestic Total: 284.34K
Opening Weekend: 31.91K
Legs: 2.91
Overview: Parthenope, born in the sea near Naples in 1950, is beautiful, enigmatic, and intelligent. She is shamelessly courted by many. However, beauty comes at a cost.
| Name | Character |
|---|---|
| Celeste Dalla Porta | Parthenope |
| Stefania Sandrelli | Parthenope (old) |
| Gary Oldman | John Cheever |
| Silvio Orlando | Devoto Marotta |
| Luisa Ranieri | Greta Cool |
| Peppe Lanzetta | Bishop |
| Isabella Ferrari | Flora Malva |
| Silvia Degrandi | Maggie |
| Lorenzo Gleijeses | Sasà |
| Daniele Rienzo | Raimondo |
| Dario Aita | Sandrino |
| Marlon Joubert | Roberto Criscuolo |
| Alfonso Santagata | Comandante |
| Biagio Izzo | Tonino Messia |
| Nello Mascia | Riccardo Macchia |
| Francesca Romana Bergamo | Madre Sandrino |
| Brando Improta | Carabiniere |
| Riccardo Lai | Spilungone |
| Alessandro Paniccià | Stefano |
| Cristiano Scotto di Galletta | Giardiniere |
| Luigi Bruno | Ragazzo Megaviggioso |
| Francesco Russo | Pippo Messia |
| Margherita Aresti | Vittoria Da Casamiggiola |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Stonewall | Sep 18, 2015 | $14M |
| Carol | Nov 20, 2015 | $12M |
| Cold War | Jun 8, 2018 | $5M |
| Corsage | Jul 7, 2022 | $8M |
| Empire of Light | Dec 9, 2022 | $14M |
| Bitter Harvest | Jan 31, 2017 | $20M |
| A Bigger Splash | Nov 26, 2015 | $0 |
| By the Sea | Nov 12, 2015 | $10M |
Week 1: $56.48K
Week 2: $80.78K
Investor Share: $44.43K
Week 3+: $147.08K
Investor Share: $73.54K
$9.27M (97.03%)
Investor Share: $3.25M
Budget: $32M
P&A: $32M
Gross: $9.56M
Net: $3.4M
Costs: $64M
Profit: $-60.6M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.