Movie Information
Domestic Total: 12.87M
Opening Weekend: 3.88M
Legs: 3.31
Overview: In postwar Germany, an American psychiatrist must determine whether Nazi prisoners are fit to go on trial for war crimes, and finds himself in a complex battle of intellect and ethics with Hermann Göring, Hitler's right-hand man.
TMDB
IMDB
Metacritic
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RT Popcorn
Letterboxd
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Thu, Nov 6, 2025 | $210,000 | + 0.00% | |
| Fri, Nov 7, 2025 | $1,460,249 | + 595.36% | 1802 |
| Sat, Nov 8, 2025 | $1,437,161 | -1.58% | 1802 |
| Sun, Nov 9, 2025 | $985,884 | -31.40% | 1802 |
| Mon, Nov 10, 2025 | $481,304 | -51.18% | 1802 |
| Tue, Nov 11, 2025 | $881,273 | + 83.10% | 1802 |
| Wed, Nov 12, 2025 | $442,423 | -49.80% | 1802 |
| Thu, Nov 13, 2025 | $367,606 | -16.91% | 1802 |
| Fri, Nov 14, 2025 | $703,673 | + 91.42% | 1830 |
| Sat, Nov 15, 2025 | $1,050,016 | + 49.22% | 1830 |
| Sun, Nov 16, 2025 | $684,177 | -34.84% | 1830 |
| Mon, Nov 17, 2025 | $283,048 | -58.63% | 1830 |
| Tue, Nov 18, 2025 | $452,762 | + 59.96% | 1830 |
| Wed, Nov 19, 2025 | $322,643 | -28.74% | 1830 |
| Thu, Nov 20, 2025 | $227,446 | -29.51% | 1830 |
| Fri, Nov 21, 2025 | $327,350 | + 43.92% | 1010 |
| Sat, Nov 22, 2025 | $496,952 | + 51.81% | 1010 |
| Sun, Nov 23, 2025 | $376,486 | -24.24% | 1010 |
| Mon, Nov 24, 2025 | $213,760 | -43.22% | 1010 |
| Tue, Nov 25, 2025 | $233,843 | + 9.40% | 1010 |
| Wed, Nov 26, 2025 | $168,614 | -27.89% | 655 |
| Thu, Nov 27, 2025 | $170,172 | + 0.92% | 655 |
| Fri, Nov 28, 2025 | $271,324 | + 59.44% | 540 |
| Sat, Nov 29, 2025 | $278,001 | + 2.46% | 540 |
| Sun, Nov 30, 2025 | $214,163 | -22.96% | 540 |
| Mon, Dec 1, 2025 | $79,402 | -62.92% | 540 |
| Tue, Dec 2, 2025 | $106,389 | + 33.99% | 540 |
| Wed, Dec 3, 2025 | $88,182 | -17.11% | 540 |
| Thu, Dec 4, 2025 | $66,069 | -25.08% | 540 |
Cast
| Name | Character |
|---|---|
| Russell Crowe | Hermann Göring |
| Rami Malek | Douglas Kelley |
| Michael Shannon | Justice Robert H. Jackson |
| Leo Woodall | Sergeant Howie Triest |
| John Slattery | Colonel Burton Andrus |
| Richard E. Grant | Sir David Maxwell-Fyfe |
| Colin Hanks | Dr. Gustave Gilbert |
| Mark O'Brien | Colonel John Amen |
| Lotte Verbeek | Emmy Göring |
| Wrenn Schmidt | Elsie Douglas |
| Lydia Peckham | Lila McQuaide |
| Andreas Pietschmann | Rudolf Hess |
| Steven Pacey | General Marshall |
| Peter Jordan | Karl Dönitz |
| Dan Cade | Corporal Jones |
| Paul Antony-Barber | Francis Biddle |
| Ralph Berkin | Cardinal |
| Roderick Hill | Radio Guest |
| Wolfgang Cerny | Baldur von Schirach |
| Jeremy Wheeler | General Phipps |
| Donald Sage Mackay | Senator William Fulbright |
| Alex Diehl | Mondorf M.P. |
| Dieter Riesle | Julius Streicher |
| Fleur Bremmer | Edda Göring |
| András Korcsmáros | Bailiff |
| Wayne Brett | Colonel Franks |
| Blake Kubena | Sergent Powell |
| Tom Keune | Robert Ley |
| Billy Rayner | N/A |
| Gyula Mesterházy | Erich Raeder |
| Michael Sheldon | Judge Lawrence |
| Ben Miles | Travis |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| The 33 | Aug 6, 2015 | $25M |
| First Man | Oct 10, 2018 | $70M |
| The Best of Enemies | Apr 5, 2019 | $10M |
| Captive | Sep 17, 2015 | $2M |
| Reagan | Aug 29, 2024 | $25M |
| Eddie the Eagle | Feb 25, 2016 | $23M |
| White Bird | Oct 25, 2023 | $20M |
| Operation Finale | Aug 29, 2018 | $24M |
Profitability Breakdown
Domestic
Week 1: $5.9M
Week 2: $3.86M
Investor Share: $2.13M
Week 3+: $3.32M
Investor Share: $1.66M
International
$4.41M (25.21%)
Investor Share: $1.54M
Costs
Budget: $12M
P&A: $12M
Breakdown
Gross: $17.28M
Net: $8.87M
Costs: $23.6M
Profit
Profit: $-14.73M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
Production Companies
