Domestic Total: 21.05M
Opening Weekend: 7.85M
Legs: 2.80
Overview: A true story about seasoned deep-sea divers who battle the raging elements to rescue their crewmate trapped hundreds of feet below the ocean’s surface.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Thu, Feb 27, 2025 | $1,000,000 | + 0.00% | 2475 |
| Fri, Feb 28, 2025 | $3,055,080 | + 205.51% | 3018 |
| Sat, Mar 1, 2025 | $2,949,455 | -3.46% | 3018 |
| Sun, Mar 2, 2025 | $1,846,655 | -37.39% | 3018 |
| Mon, Mar 3, 2025 | $549,640 | -70.24% | 3018 |
| Tue, Mar 4, 2025 | $987,415 | + 79.65% | 3018 |
| Wed, Mar 5, 2025 | $555,655 | -43.73% | 3018 |
| Thu, Mar 6, 2025 | $512,985 | -7.68% | 3018 |
| Fri, Mar 7, 2025 | $1,158,355 | + 125.81% | 3090 |
| Sat, Mar 8, 2025 | $1,858,860 | + 60.47% | 3090 |
| Sun, Mar 9, 2025 | $1,079,240 | -41.94% | 3090 |
| Mon, Mar 10, 2025 | $367,030 | -65.99% | 3090 |
| Tue, Mar 11, 2025 | $619,025 | + 68.66% | 3090 |
| Wed, Mar 12, 2025 | $386,120 | -37.62% | 3090 |
| Thu, Mar 13, 2025 | $337,305 | -12.64% | 3090 |
| Fri, Mar 14, 2025 | $644,385 | + 91.04% | 2661 |
| Sat, Mar 15, 2025 | $1,035,890 | + 60.76% | 2661 |
| Sun, Mar 16, 2025 | $616,305 | -40.50% | 2661 |
| Mon, Mar 17, 2025 | $222,025 | -63.97% | 2661 |
| Tue, Mar 18, 2025 | $352,815 | + 58.91% | 2661 |
| Wed, Mar 19, 2025 | $229,070 | -35.07% | 2661 |
| Thu, Mar 20, 2025 | $152,860 | -33.27% | 2661 |
| Fri, Mar 21, 2025 | $274,705 | + 79.71% | 1519 |
| Sat, Mar 22, 2025 | $394,035 | + 43.44% | 1519 |
| Sun, Mar 23, 2025 | $218,790 | -44.47% | 1519 |
| Mon, Mar 24, 2025 | $87,745 | -59.90% | 1519 |
| Tue, Mar 25, 2025 | $136,325 | + 55.36% | 1519 |
| Wed, Mar 26, 2025 | $83,285 | -38.91% | 1519 |
| Thu, Mar 27, 2025 | $46,315 | -44.39% | 1519 |
| Fri, Mar 28, 2025 | $55,835 | + 20.55% | 437 |
| Sat, Mar 29, 2025 | $78,415 | + 40.44% | 437 |
| Sun, Mar 30, 2025 | $41,215 | -47.44% | 437 |
| Mon, Mar 31, 2025 | $16,310 | -60.43% | 437 |
| Tue, Apr 1, 2025 | $28,080 | + 72.16% | 437 |
| Wed, Apr 2, 2025 | $16,405 | -41.58% | 437 |
| Thu, Apr 3, 2025 | $13,320 | -18.81% | 437 |
| Fri, Apr 4, 2025 | $10,615 | -20.31% | 107 |
| Sat, Apr 5, 2025 | $13,280 | + 25.11% | 107 |
| Sun, Apr 6, 2025 | $6,520 | -50.90% | 107 |
| Mon, Apr 7, 2025 | $3,085 | -52.68% | 107 |
| Tue, Apr 8, 2025 | $5,640 | + 82.82% | 107 |
| Wed, Apr 9, 2025 | $2,745 | -51.33% | 107 |
| Thu, Apr 10, 2025 | $2,345 | -14.57% | 107 |
| Name | Character |
|---|---|
| Woody Harrelson | Duncan Allcock |
| Simu Liu | David Yuasa |
| Finn Cole | Chris Lemons |
| Cliff Curtis | Andre Jenson (Captain) |
| Mark Bonnar | Craig (Dive Supervisor) |
| MyAnna Buring | Hanna (1st Officer) |
| Josef Altin | DPO |
| Bobby Rainsbury | Morag |
| Connor Reed | Andrew (Rov Pilot) |
| Nick Biadon | Stuart (B Team) |
| Riz Khan | Kirk (B Team) |
| Aldo Silvio | Brad (B Team) |
| Kevin Naudi | Alex (C Team) |
| Claudiu Baciu | Paul (C Team) |
| Brett Murray | Nick (C Team) |
| Muhammad Arnini Bin Ariffin | Jun |
| Yaroslav Musii | Sat Tank Technician #1 |
| Ramon Camilleri | SAT Tank Technician #2 |
| Christian Scicluna | Ships Officer |
| Daithí O'Donnell | Ian (uncredited) |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| The Courier | Jan 24, 2020 | $0 |
| Once Upon a Time... in Hollywood | Jul 24, 2019 | $95M |
| 7 Days in Entebbe | Mar 15, 2018 | $0 |
| Operation Finale | Aug 29, 2018 | $24M |
| Sound of Freedom | Jul 3, 2023 | $15M |
| Chappaquiddick | Apr 6, 2018 | $34M |
| Eddie the Eagle | Feb 25, 2016 | $23M |
| The Infiltrator | Jul 13, 2016 | $28M |
Week 1: $10.94M
Week 2: $5.98M
Investor Share: $3.29M
Week 3+: $5.13M
Investor Share: $2.56M
$N/A (0.00%)
Investor Share: $N/A
Budget: $24M
P&A: $24M
Gross: $21.05M
Net: $12.42M
Costs: $47.6M
Profit: $-35.18M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.