Movie Information
Domestic Total: 3.19M
Opening Weekend: 1.59M
Legs: 2.00
Overview: In 1976, four hijackers take over an Air France airplane en route from Tel Aviv to Paris and force it to land in Entebbe, Uganda. With 248 passengers on board, one of the most daring rescue missions ever is set in motion.
TMDB
IMDB
Metacritic
RT Tomato
RT Popcorn
Letterboxd
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Mar 16, 2018 | $545,350 | + 0.00% | 838 |
| Sat, Mar 17, 2018 | $637,505 | + 16.90% | 838 |
| Sun, Mar 18, 2018 | $409,790 | -35.72% | 838 |
| Mon, Mar 19, 2018 | $168,075 | -58.99% | 838 |
| Tue, Mar 20, 2018 | $209,290 | + 24.52% | 838 |
| Wed, Mar 21, 2018 | $154,010 | -26.41% | 838 |
| Thu, Mar 22, 2018 | $140,045 | -9.07% | 838 |
| Fri, Mar 23, 2018 | $170,205 | + 21.54% | 836 |
| Sat, Mar 24, 2018 | $285,885 | + 67.97% | 836 |
| Sun, Mar 25, 2018 | $180,175 | -36.98% | 836 |
| Mon, Mar 26, 2018 | $75,890 | -57.88% | 836 |
| Tue, Mar 27, 2018 | $104,530 | + 37.74% | 836 |
| Wed, Mar 28, 2018 | $64,960 | -37.86% | 836 |
| Thu, Mar 29, 2018 | $43,510 | -33.02% | 836 |
Cast
| Name | Character |
|---|---|
| Rosamund Pike | Brigitte Kuhlmann |
| Daniel Brühl | Wilfried Böse |
| Eddie Marsan | Shimon Peres |
| Lior Ashkenazi | Prime Minister Yitzhak Rabin |
| Nonso Anozie | Idi Amin |
| Ben Schnetzer | Zeev Hirsch |
| Andrea Deck | Patricia Martel |
| Denis Ménochet | Jacques Le Moine |
| Angel Bonanni | Lt. Col. Yoni Netanyahu |
| Juan Pablo Raba | Juan Pablo |
| Peter Sullivan | Amos Eiran |
| Mark Ivanir | General Motta Gur |
| Laurence Bouvard | Sister Cecile Jabon |
| Brontis Jodorowsky | Captain Michel Bacos |
| Natalie Stone | Leah Rabin |
| Flynn Allen | Kobi Cohen |
| Zina Zinchenko | Sarah |
| Amir Khoury | Ali Al-Maati |
| Ala Dakka | Haled Al Halili |
| Paloma Coquant | Ann Franking |
| Trudy Weiss | Dora Bloch |
| Vincent Riotta | Dan Shomron |
| Danny Scheinmann | Ilan Hartuv |
| Michal Shtamler | Hanna Cohen |
| Steve John Shepherd | Foreign Minister |
| Ingrid Craigie | Renata Werner |
| Gabriel Constantin | Alain Molina |
| Pierre Boulanger | Maurice Elbaz |
| Samy Seghir | Jean-Jacques Mimouni |
| Laurel Lefkow | Ida Borowitz |
| Omar Berdouni | Faiz Jaber |
| Ria Zmitrowicz | Jan Almog |
| Noof Ousellam | Jalil Al Arja |
| Joerg Stadler | Yitzhak David |
| Yiftach Klein | Ehud Barak |
| Uri Roodner | Beryl Goldner |
| Yaron Shavit | David Fogelson |
| Michal Banai | Emma Wosskow |
| Michael Lewis | Major Moshe 'Muki' Betser |
| Cameron Campbell | Jaffar Amin |
| Uriel Emil Pollack | Uriel Kopple |
| Daniel Ben Zenou | Rafi Biton |
| Nathan Ravitz | Air Force Commander Benny Peled |
| Guy Zo-Aretz | Gil |
| Lonyo Engele | Ugandan Airport Employee |
| Tomer Capone | David Cohen |
| Romeo Visca | Gate No. 2 Officer (uncredited) |
| Laura Vivio | Airport Cafe Attendant (uncredited) |
| Saffron Scheinmann | Talia Levy |
| Shai Forester | Boris Shlein |
| Gal Pertsiger | Pasco Cohen |
| Gil Cohen-Alloro | Mossad Officer |
| Ehab Bahous | Wadie Haddad |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Victor Frankenstein | Nov 10, 2015 | $40M |
| 13 Hours: The Secret Soldiers of Benghazi | Jan 14, 2016 | $50M |
| Captive | Sep 17, 2015 | $2M |
| Bridge of Spies | Oct 15, 2015 | $40M |
| Allied | Feb 12, 2016 | $106M |
| Eddie the Eagle | Feb 25, 2016 | $23M |
| The Infiltrator | Jul 13, 2016 | $28M |
| Murder on the Orient Express | Nov 3, 2017 | $55M |
Profitability Breakdown
Domestic
Week 1: $2.26M
Week 2: $925.15K
Investor Share: $508.84K
Week 3+: $0.00
Investor Share: $0.00
International
$6.41M (66.77%)
Investor Share: $2.24M
Costs
Budget: $N/A
P&A: $N/A
Breakdown
Gross: $9.6M
Net: $4.11M
Costs: $0.00
Profit
Profit: $4.11M
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
Production Companies
