Domestic Total: 188.00
Opening Weekend: 0.00
Legs: 1.00
Overview: An idealistic film student is drawn into a shadowy and intoxicating world when she befriends an enigmatic performance artist.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Mon, Jan 20, 2025 | $188 | + 0.00% | 1 |
| Name | Character |
|---|---|
| Nathalie Morris | Eva |
| Hannah Lynch | Mia |
| Daniel Frederiksen | Robert |
| Robert P. Downie | Bell |
| Brittany D'Argaville | Cynthia |
| Matthew Linde | Val |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| The Wall | May 12, 2017 | $3M |
| All I See Is You | Aug 10, 2017 | $30M |
| Safer at Home | Feb 26, 2021 | $0 |
| Super Dark Times | Sep 29, 2017 | $0 |
| The Dead Center | Oct 11, 2019 | $0 |
| Gone in the Night | Jul 15, 2022 | $0 |
| Dark State | Mar 19, 2021 | $0 |
| The Violent Heart | Sep 9, 2020 | $0 |
Week 1: $188.00
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$12.53K (98.52%)
Investor Share: $4.38K
Budget: $N/A
P&A: $N/A
Gross: $12.72K
Net: $4.5K
Costs: $0.00
Profit: $4.5K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.