Movie Information
Domestic Total: 5.82K
Opening Weekend: 4.02K
Legs: 1.45
Overview: A reporter must choose between helping expose the truth or accepting the world is ruled by a global network of ruthless insiders determined to wield power over all of mankind in a coming Dark State.
TMDB
IMDB
Metacritic
RT Popcorn
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Mar 19, 2021 | $2,299 | + 0.00% | 7 |
| Sat, Mar 20, 2021 | $915 | -60.20% | 7 |
| Sun, Mar 21, 2021 | $808 | -11.69% | 7 |
| Mon, Mar 22, 2021 | $194 | -75.99% | 7 |
| Tue, Mar 23, 2021 | $336 | + 73.20% | 7 |
| Wed, Mar 24, 2021 | $295 | -12.20% | 7 |
| Thu, Mar 25, 2021 | $264 | -10.51% | 7 |
| Fri, Mar 26, 2021 | $199 | -24.62% | 7 |
| Sat, Mar 27, 2021 | $194 | -2.51% | 7 |
| Sun, Mar 28, 2021 | $92 | -52.58% | 7 |
| Mon, Mar 29, 2021 | $142 | + 54.35% | 3 |
| Tue, Mar 30, 2021 | $86 | -39.44% | 3 |
Cast
| Name | Character |
|---|---|
| Constantine Maroulis | Adorno |
| Nicholas Baroudi | Rusty |
| Antoni Corone | Joeboy |
| K. O'Rourke | Alicia Gazzara |
| Melissa Connell | Lilith |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Parchi | Jan 5, 2018 | $0 |
| Thelma | Sep 15, 2017 | $6M |
| Destroyer | Dec 25, 2018 | $9M |
| Made in France | Oct 4, 2015 | $0 |
| All I See Is You | Aug 10, 2017 | $30M |
| Super Dark Times | Sep 29, 2017 | $0 |
| The Dead Center | Oct 11, 2019 | $0 |
| Safer at Home | Feb 26, 2021 | $0 |
Profitability Breakdown
Domestic
Week 1: $5.11K
Week 2: $713.00
Investor Share: $392.15
Week 3+: $0.00
Investor Share: $0.00
International
$N/A (0.00%)
Investor Share: $N/A
Costs
Budget: $N/A
P&A: $N/A
Breakdown
Gross: $5.82K
Net: $3.46K
Costs: $0.00
Profit
Profit: $3.46K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.