Movie Information
Domestic Total: 2.92M
Opening Weekend: 2.92M
Legs: 1.00
Overview: A young mother labeled impure. A shepherd boy considered “unclean". Experience Jesus’ birth through their eyes in this blend of "The Messengers" and "The Shepherd" into one special remastered and re-scored story.
TMDB
IMDB
Metacritic
RT Popcorn
Letterboxd
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Dec 15, 2023 | $875,000 | + 0.00% | 2059 |
| Sat, Dec 16, 2023 | $1,050,000 | + 20.00% | 2059 |
| Sun, Dec 17, 2023 | $1,000,000 | -4.76% | 2059 |
Cast
| Name | Character |
|---|---|
| Andrea Bocelli | Self |
| Matteo Bocelli | Self |
| Jonathan Roumie | N/A |
| Shahar Issac | N/A |
| Noah James | N/A |
| Elizabeth Tabish | N/A |
| Paras Patel | N/A |
| George H. Xanthis | N/A |
| Matt Maher | Self |
| Brandon Lake | Self |
| Zach Williams | Self |
| Debra Bonner | N/A |
| Harry Bonner | N/A |
| Yunga Webb | N/A |
| Junior Bonner | N/A |
| Kuregiy Bonner | N/A |
| Clotile Farkas | N/A |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Lupin III: The First | Dec 6, 2019 | $0 |
| The House That Jack Built | Jul 5, 2018 | $10M |
| His Only Son | Mar 30, 2023 | $250K |
| Superspreader | Sep 29, 2022 | $0 |
| They Shall Not Grow Old | Nov 9, 2018 | $0 |
| Lamb of God: The Concert Film | Mar 12, 2021 | $0 |
| Beyond Utopia | Oct 23, 2023 | $0 |
| Christmas with The Chosen: The Messengers | Dec 1, 2021 | $0 |
Profitability Breakdown
Domestic
Week 1: $2.92M
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
International
$N/A (0.00%)
Investor Share: $N/A
Costs
Budget: $N/A
P&A: $N/A
Breakdown
Gross: $2.92M
Net: $1.75M
Costs: $0.00
Profit
Profit: $1.75M
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
Production Companies
