Domestic Total: 259.02K
Opening Weekend: 34.27K
Legs: 1.32
Overview: Failed architect, engineer and vicious murderer Jack narrates the details of some of his most elaborately orchestrated crimes, each of them a towering piece of art that defines his life's work as a serial killer for twelve years.
| Name | Character |
|---|---|
| Matt Dillon | Jack |
| Bruno Ganz | Verge |
| Uma Thurman | Lady 1 |
| Siobhan Fallon Hogan | Lady 2 |
| Sofie Gråbøl | Lady 3 |
| Riley Keough | Simple |
| Jeremy Davies | Al |
| Jack McKenzie | Sonny |
| Mathias Hjelm | Glenn |
| Ed Speleers | Ed - Police Officer 2 |
| Emil Tholstrup | Young Jack |
| Marijana Janković | Female Student |
| Carina Skenhede | Little Old Lady |
| Rocco Day | Grumpy |
| Cohen Day | George |
| Robert Jezek | Police Officer 4 |
| Osy Ikhile | Military Man |
| Christian Arnold | Man 1 |
| Yoo Ji-tae | Man 2 |
| Johannes Bah Kuhnke | Man 3 |
| Jerker Fahlström | Man 4 |
| David Bailie | S.P. |
| Robert G. Slade | Rob |
| Vasilije Mujka | Scythe Man, Elysian Fields |
| Jesper Tønnes | Charon (uncredited) |
| Ola Normelli | Dead Man #2 (uncredited) |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Cop Car | Jul 8, 2015 | $800K |
| The Gift | Jul 31, 2015 | $5M |
| 10 Cloverfield Lane | Mar 10, 2016 | $15M |
| Triple 9 | Feb 19, 2016 | $20M |
| Criminal Activities | Nov 20, 2015 | $7M |
| The Accountant | Oct 13, 2016 | $44M |
| mother! | Sep 13, 2017 | $30M |
| Money Monster | May 12, 2016 | $27M |
Week 1: $220.49K
Week 2: $13.47K
Investor Share: $7.41K
Week 3+: $25.06K
Investor Share: $12.53K
$2.4M (90.24%)
Investor Share: $838.28K
Budget: $10M
P&A: $10M
Gross: $2.65M
Net: $990.51K
Costs: $19.6M
Profit: $-18.61M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.