Movie Information
Domestic Total: 350.84K
Opening Weekend: 212.36K
Legs: 1.65
Overview: In a story that spans billions of years, a buoy and a satellite meet online long after humanity’s extinction. As they learn what life was like on Earth, they discover themselves and what it means to be alive and in love.
TMDB
IMDB
Metacritic
RT Popcorn
Letterboxd
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Jan 31, 2025 | $82,115 | + 0.00% | 527 |
| Sat, Feb 1, 2025 | $73,323 | -10.71% | 527 |
| Sun, Feb 2, 2025 | $56,926 | -22.36% | 527 |
| Mon, Feb 3, 2025 | $29,101 | -48.88% | 527 |
| Tue, Feb 4, 2025 | $33,655 | + 15.65% | 527 |
| Wed, Feb 5, 2025 | $29,591 | -12.08% | 527 |
| Thu, Feb 6, 2025 | $19,298 | -34.78% | 527 |
| Fri, Feb 7, 2025 | $4,885 | -74.69% | 106 |
| Sat, Feb 8, 2025 | $7,550 | + 54.55% | 106 |
| Sun, Feb 9, 2025 | $4,261 | -43.56% | 106 |
| Mon, Feb 10, 2025 | $2,557 | -39.99% | 106 |
| Tue, Feb 11, 2025 | $3,315 | + 29.64% | 106 |
| Wed, Feb 12, 2025 | $3,117 | -5.97% | 106 |
| Thu, Feb 13, 2025 | $1,146 | -63.23% | 106 |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Swiss Army Man | Jun 24, 2016 | $3M |
| High Life | Sep 26, 2018 | $9M |
| The Bad Batch | Jun 23, 2017 | $6M |
| Empire of Light | Dec 9, 2022 | $14M |
| By the Sea | Nov 12, 2015 | $10M |
| Parthenope | Oct 19, 2024 | $32M |
| Bitter Harvest | Jan 31, 2017 | $20M |
| Captain Fantastic | Jul 8, 2016 | $5M |
Profitability Breakdown
Domestic
Week 1: $324.01K
Week 2: $26.83K
Investor Share: $14.76K
Week 3+: $0.00
Investor Share: $0.00
International
$N/A (0.00%)
Investor Share: $N/A
Costs
Budget: $3M
P&A: $3M
Breakdown
Gross: $350.84K
Net: $209.16K
Costs: $5M
Profit
Profit: $-4.79M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
Production Companies
