Domestic Total: 44.9M
Opening Weekend: 20.13M
Legs: 2.29
Overview: Xander Cage is left for dead after an incident, though he secretly returns to action for a new, tough assignment with his handler Augustus Gibbons.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Thu, Jan 19, 2017 | $1,200,000 | + 0.00% | 2536 |
| Fri, Jan 20, 2017 | $7,104,191 | + 492.02% | 3651 |
| Sat, Jan 21, 2017 | $8,244,733 | + 16.05% | 3651 |
| Sun, Jan 22, 2017 | $4,781,218 | -42.01% | 3651 |
| Mon, Jan 23, 2017 | $1,314,912 | -72.50% | 3651 |
| Tue, Jan 24, 2017 | $1,817,746 | + 38.24% | 3651 |
| Wed, Jan 25, 2017 | $1,045,224 | -42.50% | 3651 |
| Thu, Jan 26, 2017 | $929,726 | -11.05% | 3651 |
| Fri, Jan 27, 2017 | $2,230,184 | + 139.88% | 3651 |
| Sat, Jan 28, 2017 | $3,877,766 | + 73.88% | 3651 |
| Sun, Jan 29, 2017 | $2,493,908 | -35.69% | 3651 |
| Mon, Jan 30, 2017 | $586,189 | -76.50% | 3651 |
| Tue, Jan 31, 2017 | $849,950 | + 45.00% | 3651 |
| Wed, Feb 1, 2017 | $538,843 | -36.60% | 3651 |
| Thu, Feb 2, 2017 | $510,297 | -5.30% | 3651 |
| Fri, Feb 3, 2017 | $1,101,311 | + 115.82% | 2478 |
| Sat, Feb 4, 2017 | $2,012,038 | + 82.69% | 2478 |
| Sun, Feb 5, 2017 | $762,130 | -62.12% | 2478 |
| Mon, Feb 6, 2017 | $361,987 | -52.50% | 2478 |
| Tue, Feb 7, 2017 | $503,283 | + 39.03% | 2478 |
| Wed, Feb 8, 2017 | $320,296 | -36.36% | 2478 |
| Thu, Feb 9, 2017 | $226,116 | -29.40% | 2478 |
| Fri, Feb 10, 2017 | $366,367 | + 62.03% | 1178 |
| Sat, Feb 11, 2017 | $718,249 | + 96.05% | 1178 |
| Sun, Feb 12, 2017 | $429,976 | -40.14% | 1178 |
| Mon, Feb 13, 2017 | $136,817 | -68.18% | 1178 |
| Tue, Feb 14, 2017 | $392,130 | + 186.61% | 1178 |
| Wed, Feb 15, 2017 | $129,282 | -67.03% | 1178 |
| Thu, Feb 16, 2017 | $83,477 | -35.43% | 1178 |
| Fri, Feb 17, 2017 | $100,075 | + 19.88% | 435 |
| Sat, Feb 18, 2017 | $180,961 | + 80.83% | 435 |
| Sun, Feb 19, 2017 | $152,376 | -15.80% | 435 |
| Mon, Feb 20, 2017 | $90,170 | -40.82% | 435 |
| Tue, Feb 21, 2017 | $50,197 | -44.33% | 435 |
| Wed, Feb 22, 2017 | $35,772 | -28.74% | 435 |
| Thu, Feb 23, 2017 | $29,157 | -18.49% | 435 |
| Fri, Feb 24, 2017 | $35,948 | + 23.29% | 180 |
| Sat, Feb 25, 2017 | $66,870 | + 86.02% | 180 |
| Sun, Feb 26, 2017 | $40,785 | -39.01% | 180 |
| Mon, Feb 27, 2017 | $11,008 | -73.01% | 180 |
| Tue, Feb 28, 2017 | $15,852 | + 44.00% | 180 |
| Wed, Mar 1, 2017 | $12,404 | -21.75% | 180 |
| Thu, Mar 2, 2017 | $10,201 | -17.76% | 180 |
| Fri, Mar 3, 2017 | $9,881 | -3.14% | 72 |
| Sat, Mar 4, 2017 | $18,382 | + 86.03% | 72 |
| Sun, Mar 5, 2017 | $11,206 | -39.04% | 72 |
| Mon, Mar 6, 2017 | $3,369 | -69.94% | 72 |
| Tue, Mar 7, 2017 | $3,874 | + 14.99% | 72 |
| Wed, Mar 8, 2017 | $3,758 | -2.99% | 72 |
| Thu, Mar 9, 2017 | $3,521 | -6.31% | 72 |
| Fri, Mar 10, 2017 | $23,603 | + 570.35% | 139 |
| Sat, Mar 11, 2017 | $41,156 | + 74.37% | 139 |
| Sun, Mar 12, 2017 | $31,445 | -23.60% | 139 |
| Mon, Mar 13, 2017 | $12,121 | -61.45% | 139 |
| Tue, Mar 14, 2017 | $12,901 | + 6.44% | 139 |
| Wed, Mar 15, 2017 | $11,406 | -11.59% | 139 |
| Thu, Mar 16, 2017 | $11,668 | + 2.30% | 139 |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Now You See Me 2 | Jun 2, 2016 | $120M |
| Independence Day: Resurgence | Jun 22, 2016 | $165M |
| Zoolander 2 | Feb 6, 2016 | $50M |
| The Great Wall | Dec 16, 2016 | $150M |
| Central Intelligence | Jun 16, 2016 | $50M |
| Point Break | Dec 3, 2015 | $105M |
| The Last Witch Hunter | Oct 21, 2015 | $90M |
| The Transporter Refueled | Sep 2, 2015 | $25M |
Week 1: $25.51M
Week 2: $11.51M
Investor Share: $6.33M
Week 3+: $9.08M
Investor Share: $4.54M
$300.13M (86.69%)
Investor Share: $105.05M
Budget: $85M
P&A: $85M
Gross: $345.03M
Net: $131.22M
Costs: $170M
Profit: $-38.78M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.