Domestic Total: 1.26M
Opening Weekend: 98.87K
Legs: 6.70
Overview: Alexander McQueen's rags-to-riches story is a modern-day fairy tale, laced with the gothic. Mirroring the savage beauty, boldness and vivacity of his design, this documentary is an intimate revelation of McQueen's own world, both tortured and inspired, which celebrates a radical and mesmerizing genius of profound influence.
| Name | Character |
|---|---|
| Alexander McQueen | Self (archive footage) |
| Bernard Arnault | Self |
| Joseph Bennett | Self |
| Magdalena Frackowiak | Self |
| Jodie Kidd | Self |
| Kate Moss | Self |
| Isabella Blow | Self (archive footage) |
| Charlie Rose | Self (voice) (uncredited) |
| Naomi Campbell | Self (archive footage) (uncredited) |
| Grace Jones | Self (archive footage) (uncredited) |
| André Leon Talley | Self (archive footage) (uncredited) |
| Janet Jackson | Self (archive footage) (uncredited) |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| The Seasons in Quincy: Four Portraits of John Berger | Jun 23, 2017 | $0 |
| Ingrid Bergman: In Her Own Words | Aug 27, 2015 | $0 |
| Gleason | Jul 30, 2016 | $0 |
| Jeremiah Tower: The Last Magnificent | Jul 29, 2016 | $0 |
| The B-Side: Elsa Dorfman's Portrait Photography | Jun 30, 2017 | $0 |
| The Beatles: Eight Days a Week - The Touring Years | Sep 15, 2016 | $5 |
| All These Sleepless Nights | Nov 4, 2016 | $0 |
| Trophy | Jan 20, 2017 | $0 |
Week 1: $163.32K
Week 2: $146.01K
Investor Share: $80.3K
Week 3+: $947.95K
Investor Share: $473.97K
$1.44M (53.37%)
Investor Share: $503.6K
Budget: $N/A
P&A: $N/A
Gross: $2.7M
Net: $1.16M
Costs: $0.00
Profit: $1.16M
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.