Movie Information
Domestic Total: 6.47M
Opening Weekend: 3.29M
Legs: 2.11
Overview: Tells the story of Jesus Christ at age seven as he and his family depart Egypt to return home to Nazareth. Told from his childhood perspective, it follows young Jesus as he grows into his religious identity.
TMDB
IMDB
Metacritic
RT Tomato
RT Popcorn
Letterboxd
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Thu, Mar 10, 2016 | $475,000 | + 0.00% | |
| Fri, Mar 11, 2016 | $1,388,013 | + 192.21% | 1761 |
| Sat, Mar 12, 2016 | $1,096,516 | -21.00% | 1761 |
| Sun, Mar 13, 2016 | $810,347 | -26.10% | 1761 |
| Mon, Mar 14, 2016 | $256,452 | -68.35% | 1761 |
| Tue, Mar 15, 2016 | $381,484 | + 48.75% | 1761 |
| Wed, Mar 16, 2016 | $199,882 | -47.60% | 1761 |
| Thu, Mar 17, 2016 | $179,661 | -10.12% | 1761 |
| Fri, Mar 18, 2016 | $290,314 | + 61.59% | 1769 |
| Sat, Mar 19, 2016 | $436,540 | + 50.37% | 1769 |
| Sun, Mar 20, 2016 | $362,380 | -16.99% | 1769 |
| Mon, Mar 21, 2016 | $134,563 | -62.87% | 1769 |
| Tue, Mar 22, 2016 | $189,343 | + 40.71% | 1769 |
| Wed, Mar 23, 2016 | $146,578 | -22.59% | 1769 |
| Thu, Mar 24, 2016 | $110,912 | -24.33% | 1769 |
| Fri, Mar 25, 2016 | $83,146 | -25.03% | 874 |
| Sat, Mar 26, 2016 | $107,761 | + 29.60% | 874 |
| Sun, Mar 27, 2016 | $83,329 | -22.67% | 874 |
| Mon, Mar 28, 2016 | $36,921 | -55.69% | 874 |
| Tue, Mar 29, 2016 | $34,338 | -7.00% | 874 |
| Wed, Mar 30, 2016 | $28,610 | -16.68% | 874 |
| Thu, Mar 31, 2016 | $30,124 | + 5.29% | 874 |
| Fri, Apr 1, 2016 | $9,932 | -67.03% | 152 |
| Sat, Apr 2, 2016 | $12,230 | + 23.14% | 152 |
| Sun, Apr 3, 2016 | $9,678 | -20.87% | 152 |
| Mon, Apr 4, 2016 | $5,019 | -48.14% | 152 |
| Tue, Apr 5, 2016 | $5,407 | + 7.73% | 152 |
| Wed, Apr 6, 2016 | $4,542 | -16.00% | 152 |
| Thu, Apr 7, 2016 | $3,825 | -15.79% | 152 |
| Fri, Apr 8, 2016 | $2,039 | -46.69% | 41 |
| Sat, Apr 9, 2016 | $3,070 | + 50.56% | 41 |
| Sun, Apr 10, 2016 | $3,132 | + 2.02% | 41 |
| Mon, Apr 11, 2016 | $959 | -69.38% | 41 |
| Tue, Apr 12, 2016 | $1,332 | + 38.89% | 41 |
| Wed, Apr 13, 2016 | $1,021 | -23.35% | 41 |
| Thu, Apr 14, 2016 | $835 | -18.22% | 41 |
| Fri, Apr 15, 2016 | $3,244 | + 288.50% | 55 |
| Sat, Apr 16, 2016 | $4,981 | + 53.55% | 55 |
| Sun, Apr 17, 2016 | $4,116 | -17.37% | 55 |
| Mon, Apr 18, 2016 | $1,670 | -59.43% | 55 |
| Tue, Apr 19, 2016 | $2,011 | + 20.42% | 55 |
| Wed, Apr 20, 2016 | $1,682 | -16.36% | 55 |
| Thu, Apr 21, 2016 | $1,874 | + 11.41% | 55 |
Cast
| Name | Character |
|---|---|
| Adam Greaves-Neal | Jesus |
| Sara Lazzaro | Mary |
| Vincent Walsh | Joseph |
| Sean Bean | Severus |
| Jonathan Bailey | Herod |
| Isabelle Adriani | Seleni |
| Rory Keenan | The Demon |
| Dorotea Mercuri | Eleazer's Mother |
| Jarreth J. Merz | Eleazer's Father |
| Agni Scott | Miriam |
| Paola Lavini | Crying Mother #2 |
| Paul Ireland | Optio |
| Matt Patresi | Cynical Stranger |
| Lee Boardman | Roman Squad Leader |
| David Bradley | Old Rabbi |
| Christian McKay | Cleopas |
| Giselda Volodi | Female Soothsayer |
| David Burke | Blind Rabbi |
| Finn Ireland | James |
| Gian Piero Rotoli | Pilgrim 2 |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| The 33 | Aug 6, 2015 | $25M |
| Race | Feb 19, 2016 | $5M |
| Joy | Dec 24, 2015 | $60M |
| Eddie the Eagle | Feb 25, 2016 | $23M |
| Concussion | Nov 12, 2015 | $35M |
| Captive | Sep 17, 2015 | $2M |
| 90 Minutes in Heaven | Sep 11, 2015 | $5M |
| Ricki and the Flash | Jul 10, 2015 | $18M |
Profitability Breakdown
Domestic
Week 1: $4.61M
Week 2: $1.74M
Investor Share: $956.66K
Week 3+: $597.74K
Investor Share: $298.87K
International
$843.88K (10.83%)
Investor Share: $295.36K
Costs
Budget: $19M
P&A: $19M
Breakdown
Gross: $7.31M
Net: $4.32M
Costs: $37M
Profit
Profit: $-32.68M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
Production Companies
