Domestic Total: 36.77K
Opening Weekend: 0.00
Legs: 1.00
Overview: After Akira Ninomiya miraculously survives a brutal attack by an unknown assailant wearing a "monster mask," he becomes fixated on finding the attacker and getting revenge.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Thu, Nov 30, 2023 | $36,769 | + 0.00% | 2 |
| Name | Character |
|---|---|
| Kazuya Kamenashi | Akira Ninomiya |
| Nanao | Arashiko Toshiro |
| Riho Yoshioka | Emi Kagemi |
| Kiyohiko Shibukawa | Noboru Inui |
| Shota Sometani | Kuro Sugitani |
| Shido Nakamura | Takeshi Kenmochi |
| Reon Yuzuki | N/A |
| Minosuke | N/A |
| Keisuke Horibe | N/A |
| Masayuki Deai | N/A |
| Chigusa Yasuzawa | N/A |
| Tomohiko Imai | N/A |
| Ariei Umefune | N/A |
| Katsuya Kobayashi | N/A |
| Ryushin Tei | N/A |
| Kentaro Furuyama | N/A |
| Asuka Hamaru | N/A |
| Hinami Mori | N/A |
| Yasushi Kimura | N/A |
| Masatoshi Kihara | N/A |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Dark State | Mar 19, 2021 | $0 |
| The Book of Henry | Jun 16, 2017 | $10M |
| Destroyer | Dec 25, 2018 | $9M |
| Safer at Home | Feb 26, 2021 | $0 |
| The Card Counter | Sep 3, 2021 | $0 |
| Emily the Criminal | Aug 12, 2022 | $2M |
| Cop Car | Jul 8, 2015 | $800K |
| Priceless | Oct 14, 2016 | $0 |
Week 1: $36.77K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$4.87M (99.25%)
Investor Share: $1.7M
Budget: $N/A
P&A: $N/A
Gross: $4.9M
Net: $1.73M
Costs: $0.00
Profit: $1.73M
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.