Domestic Total: 7.83M
Opening Weekend: 121K
Legs: 3.00
Overview: Abandoned by her father, a young woman embarks on a thousand-mile odyssey through the backroads of America where she meets a disenfranchised drifter. But despite their best efforts, all roads lead back to their terrifying pasts and to a final stand that will determine whether their love can survive their otherness.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Nov 18, 2022 | $57,887 | + 0.00% | 5 |
| Sat, Nov 19, 2022 | $35,526 | -38.63% | 5 |
| Sun, Nov 20, 2022 | $27,591 | -22.34% | 5 |
| Mon, Nov 21, 2022 | $15,201 | -44.91% | 5 |
| Tue, Nov 22, 2022 | $10,555 | -30.56% | 5 |
| Wed, Nov 23, 2022 | $921,168 | + 8627.31% | 2727 |
| Thu, Nov 24, 2022 | $436,609 | -52.60% | 2727 |
| Fri, Nov 25, 2022 | $834,421 | + 91.11% | 2727 |
| Sat, Nov 26, 2022 | $856,894 | + 2.69% | 2727 |
| Sun, Nov 27, 2022 | $567,247 | -33.80% | 2727 |
| Mon, Nov 28, 2022 | $257,304 | -54.64% | 2727 |
| Tue, Nov 29, 2022 | $323,704 | + 25.81% | 2727 |
| Wed, Nov 30, 2022 | $259,241 | -19.91% | 2727 |
| Thu, Dec 1, 2022 | $246,386 | -4.96% | 2727 |
| Fri, Dec 2, 2022 | $383,099 | + 55.49% | 2727 |
| Sat, Dec 3, 2022 | $488,889 | + 27.61% | 2727 |
| Sun, Dec 4, 2022 | $316,710 | -35.22% | 2727 |
| Mon, Dec 5, 2022 | $155,194 | -51.00% | 2727 |
| Tue, Dec 6, 2022 | $193,258 | + 24.53% | 2727 |
| Wed, Dec 7, 2022 | $161,254 | -16.56% | 2727 |
| Thu, Dec 8, 2022 | $155,367 | -3.65% | 2727 |
| Fri, Dec 9, 2022 | $188,304 | + 21.20% | 1707 |
| Sat, Dec 10, 2022 | $228,428 | + 21.31% | 1707 |
| Sun, Dec 11, 2022 | $166,147 | -27.27% | 1707 |
| Mon, Dec 12, 2022 | $95,167 | -42.72% | 1707 |
| Tue, Dec 13, 2022 | $106,124 | + 11.51% | 1707 |
| Wed, Dec 14, 2022 | $99,870 | -5.89% | 1707 |
| Thu, Dec 15, 2022 | $66,328 | -33.59% | 1707 |
| Fri, Dec 16, 2022 | $34,295 | -48.29% | 217 |
| Sat, Dec 17, 2022 | $41,630 | + 21.39% | 217 |
| Sun, Dec 18, 2022 | $34,813 | -16.38% | 217 |
| Mon, Dec 19, 2022 | $27,643 | -20.60% | 217 |
| Tue, Dec 20, 2022 | $26,247 | -5.05% | 217 |
| Wed, Dec 21, 2022 | $10,727 | -59.13% | 217 |
| Thu, Dec 22, 2022 | $5,679 | -47.06% | 217 |
| Name | Character |
|---|---|
| Taylor Russell | Maren |
| Timothée Chalamet | Lee |
| Mark Rylance | Sully |
| Anna Cobb | Kayla |
| André Holland | Maren's Father |
| David Gordon Green | Brad |
| Michael Stuhlbarg | Jake |
| Jessica Harper | Barbara Kerns |
| Chloë Sevigny | Janelle |
| Kendle Coffey | Sherry |
| Ellie Parker | Jackie |
| Madeleine Hall | Kim |
| Christine Dye | Attendant (Corlis, MD) |
| Sean Bridgers | Barry Cook |
| Jake Horowitz | Booth Man |
| Marshall Jackson | Boy Playing Ball Toss |
| Marcia Dangerfield | Clerk (MN Gas Station) |
| Burgess Byrd | Gail the Nurse |
| Max Soliz | Mechanic (NE Gas Station) |
| Johanna McGinley | Woman (uncredited) |
| Hannah Barlow | Ticket Holder (uncredited) |
| Claudio Encarnacion Montero | Dwan (uncredited) |
| Sue Hopkins | Homeless Junkie (uncredited) |
| Aaron J. Gould | Bike Boy Harold (uncredited) |
| Brady Gentry | Andy (uncredited) |
| Dori Lucas | Passenger (uncredited) |
| Tom O'Brien | Mr. Harmon (uncredited) |
| John E. Brownlee | Gas Station Customer (uncredited) |
| Jenny McManus | Bus Passenger (uncredited) |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Suspiria | Oct 26, 2018 | $20M |
| If Beale Street Could Talk | Dec 14, 2018 | $12M |
| Hostiles | Dec 22, 2017 | $55M |
| Carol | Nov 20, 2015 | $12M |
| The Beguiled | Jun 23, 2017 | $11M |
| The Shape of Water | Dec 1, 2017 | $20M |
| Billy Lynn's Long Halftime Walk | Nov 10, 2016 | $40M |
| Silence | Dec 23, 2016 | $46M |
Week 1: $1.5M
Week 2: $3.35M
Investor Share: $1.84M
Week 3+: $2.99M
Investor Share: $1.49M
$6.28M (44.51%)
Investor Share: $2.2M
Budget: $16M
P&A: $16M
Gross: $14.12M
Net: $6.43M
Costs: $32M
Profit: $-25.57M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.