Domestic Total: 5.21M
Opening Weekend: 2.32M
Legs: 2.24
Overview: On the run from a lethal assassin, a wily con artist devises a scheme to hide out inside a small-town police station. However, when the hit man turns up at the precinct, an unsuspecting rookie cop finds herself caught in the crosshairs.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Sep 17, 2021 | $950,116 | + 0.00% | 3005 |
| Sat, Sep 18, 2021 | $848,879 | -10.66% | 3005 |
| Sun, Sep 19, 2021 | $516,643 | -39.14% | 3005 |
| Mon, Sep 20, 2021 | $201,307 | -61.04% | 3005 |
| Tue, Sep 21, 2021 | $318,122 | + 58.03% | 3005 |
| Wed, Sep 22, 2021 | $204,349 | -35.76% | 3005 |
| Thu, Sep 23, 2021 | $187,580 | -8.21% | 3005 |
| Fri, Sep 24, 2021 | $404,868 | + 115.84% | 3005 |
| Sat, Sep 25, 2021 | $533,177 | + 31.69% | 3005 |
| Sun, Sep 26, 2021 | $327,394 | -38.60% | 3005 |
| Mon, Sep 27, 2021 | $123,163 | -62.38% | 3005 |
| Tue, Sep 28, 2021 | $193,101 | + 56.78% | 3005 |
| Wed, Sep 29, 2021 | $124,081 | -35.74% | 3005 |
| Thu, Sep 30, 2021 | $69,069 | -44.34% | 3005 |
| Fri, Oct 1, 2021 | $38,727 | -43.93% | 425 |
| Sat, Oct 2, 2021 | $50,867 | + 31.35% | 425 |
| Sun, Oct 3, 2021 | $26,085 | -48.72% | 425 |
| Mon, Oct 4, 2021 | $8,616 | -66.97% | 425 |
| Tue, Oct 5, 2021 | $12,860 | + 49.26% | 425 |
| Wed, Oct 6, 2021 | $7,592 | -40.96% | 425 |
| Thu, Oct 7, 2021 | $5,339 | -29.68% | 425 |
| Fri, Oct 8, 2021 | $17,004 | + 218.49% | 64 |
| Sat, Oct 9, 2021 | $19,681 | + 15.74% | 64 |
| Sun, Oct 10, 2021 | $13,401 | -31.91% | 64 |
| Mon, Oct 11, 2021 | $1,002 | -92.52% | 64 |
| Tue, Oct 12, 2021 | $871 | -13.07% | 64 |
| Wed, Oct 13, 2021 | $904 | + 3.79% | 64 |
| Thu, Oct 14, 2021 | $1,092 | + 20.80% | 64 |
| Fri, Oct 15, 2021 | $2,279 | + 108.70% | 24 |
| Sat, Oct 16, 2021 | $3,485 | + 52.92% | 24 |
| Sun, Oct 17, 2021 | $1,001 | -71.28% | 24 |
| Mon, Oct 18, 2021 | $155 | -84.52% | 24 |
| Tue, Oct 19, 2021 | $136 | -12.26% | 24 |
| Wed, Oct 20, 2021 | $139 | + 2.21% | 24 |
| Thu, Oct 21, 2021 | $158 | + 13.67% | 24 |
| Name | Character |
|---|---|
| Gerard Butler | Bob Viddick |
| Frank Grillo | Teddy Murretto |
| Alexis Louder | Valerie Young |
| Toby Huss | Anthony Lamb |
| Chad L. Coleman | Sgt. Duane Mitchell |
| Ryan O'Nan | Officer Huber |
| Jose Pablo Cantillo | Officer Peña |
| Kaiwi Lyman | Officer Barnes |
| Robert Walker Branchaud | Officer Kimball |
| Tracey Bonner | Detective Deena Schier |
| Christopher Michael Holley | Officer Ruby |
| Marshall Cook | Brad |
| Keith Jardine | Trooper |
| Chris Kleckner | Larry the Cop |
| Karyn Greer | Newscaster |
| Vanita Kalra | Young Prosecuter |
| David Vaughn | E.M.T. #1 |
| J.R. Adduci | E.M.T. #2 |
| Alex Rush | E.M.T. #3 |
| Greg Fitzpatrick | E.M.T. Driver |
| Danielle Goz | Crowdgoer |
| Jayson Merrill | Crooked Cop |
| Scott Putman | Crooked Cop |
| Nathan Reed | State Trooper |
| Nicole Shatz | State Trooper |
| Armida Lopez | Shocked Bridesmaid |
| Megan Schmidt | Drunk Casino Patron |
| Diann Malcolm | Drunk Casino Patron |
| Marco Morales | Trooper Partner |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Den of Thieves | Jan 18, 2018 | $30M |
| Sicario: Day of the Soldado | Jun 27, 2018 | $35M |
| The Hitman's Bodyguard | Aug 16, 2017 | $30M |
| John Wick: Chapter 2 | Feb 8, 2017 | $40M |
| Proud Mary | Jan 12, 2018 | $14M |
| Black and Blue | Oct 25, 2019 | $12M |
| Mechanic: Resurrection | Aug 25, 2016 | $40M |
| Bad Boys for Life | Jan 15, 2020 | $90M |
Week 1: $3.23M
Week 2: $1.77M
Investor Share: $976.17K
Week 3+: $211.39K
Investor Share: $105.7K
$1.2M (18.66%)
Investor Share: $418.62K
Budget: $44M
P&A: $44M
Gross: $6.41M
Net: $3.44M
Costs: $87M
Profit: $-83.56M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.