On the Come Up Poster
On the Come Up (2022)
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On the Come Up Revenue (Daily) (with Theater Counts)

Domestic Total: 236.15K

Opening Weekend: 150.7K

Legs: 1.57

Overview: Sixteen-year-old Brianna Jackson is a gifted rapper who plans to take the battle rap scene by storm to lift up her family and do right by the legacy of her father, a local hip-hop legend whose career was cut short by gang violence. However, when her first hit song goes viral for all the wrong reasons, she finds herself torn between the authenticity that got her this far and the false persona that the industry wants to impose on her.


TMDB

6.2

IMDB

5.7

Metacritic

52

RT Tomato

75

RT Popcorn

74

Letterboxd

3.04

Daily Table

DateRevenue% YDTheaters
Fri, Sep 23, 2022$47,198+ 0.00%603
Sat, Sep 24, 2022$63,038+ 33.56%603
Sun, Sep 25, 2022$40,461 -35.81%603
Mon, Sep 26, 2022$18,423 -54.47%603
Tue, Sep 27, 2022$20,903+ 13.46%603
Wed, Sep 28, 2022$14,295 -31.61%603
Thu, Sep 29, 2022$10,011 -29.97%603
Fri, Sep 30, 2022$4,007 -59.97%145
Sat, Oct 1, 2022$6,632+ 65.51%145
Sun, Oct 2, 2022$4,348 -34.44%145
Mon, Oct 3, 2022$1,615 -62.86%145
Tue, Oct 4, 2022$2,153+ 33.31%145
Wed, Oct 5, 2022$1,926 -10.54%145
Thu, Oct 6, 2022$1,143 -40.65%145
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Comps

Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.

TitleRelease DateBudget
Love, SimonFeb 16, 2018$17M
Paper TownsJun 18, 2015$12M
Forever My GirlJan 26, 2018$4M
The ShackMar 3, 2017$20M
Words on Bathroom WallsAug 21, 2020$8M
Me Before YouJun 1, 2016$20M
Ricki and the FlashJul 10, 2015$18M
The ChoiceFeb 4, 2016$10M
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Profitability Breakdown

Domestic

Week 1: $214.33K

Investor Share: $128.6K

Week 2: $21.82K

Investor Share: $12K

Week 3+: $0.00

Investor Share: $0.00

International

$N/A (0.00%)

Investor Share: $N/A

Costs

Budget: $N/A


P&A: $N/A

Breakdown

Gross: $236.15K


Net: $140.6K


Costs: $0.00

Profit

Profit: $140.6K

The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.

Production Companies