Domestic Total: 2.54M
Opening Weekend: 432.97K
Legs: 4.92
Overview: Diagnosed with a mental illness halfway through his senior year of high school, a witty, introspective teen struggles to keep it a secret while falling in love with a brilliant classmate who inspires him to open his heart and not be defined by his condition.
| Name | Character |
|---|---|
| Charlie Plummer | Adam |
| Molly Parker | Beth |
| Walton Goggins | Paul |
| Andy García | Father Patrick |
| Taylor Russell | Maya |
| AnnaSophia Robb | Rebecca |
| Beth Grant | Sister Catherine |
| Devon Bostick | Joaquin |
| Lobo Sebastian | Bodyguard |
| Aaron Dominguez | Todd |
| Reinaldo Faberlle | Manuel |
| Jeris Donovan | Woman |
| Iain Tucker | Ahole Teenager |
| Sean Michael Weber | Paramedic |
| Drew Scheid | Ted |
| Anthony J. Police | Security Guard |
| Ellie Dusek | Saccharine Girl |
| Blaque Fowler | Homeless Man |
| Cruz Abelita | Danny |
| Evan Whitten | Ricky |
| Shea Brianne Wixson | Introverted Girl |
| Pam Smith | Nurse |
| Justin Matthew Smith | Homeless Man 2 |
| Veronica Russell | Proctor |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| The Sun Is Also a Star | May 16, 2019 | $9M |
| After | Apr 11, 2019 | $14M |
| Five Feet Apart | Mar 14, 2019 | $7M |
| Love, Simon | Feb 16, 2018 | $17M |
| The Choice | Feb 4, 2016 | $10M |
| Everything, Everything | May 18, 2017 | $10M |
| Me Before You | Jun 1, 2016 | $20M |
| Paper Towns | Jun 18, 2015 | $12M |
Week 1: $630.25K
Week 2: $629.29K
Investor Share: $346.11K
Week 3+: $1.28M
Investor Share: $641.49K
$641.66K (20.15%)
Investor Share: $224.58K
Budget: $8M
P&A: $8M
Gross: $3.18M
Net: $1.59M
Costs: $16M
Profit: $-14.41M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.