Left Behind: Rise of the Antichrist Poster
Left Behind: Rise of the Antichrist (2023)
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Left Behind: Rise of the Antichrist Revenue (Daily) (with Theater Counts)

Domestic Total: 3.65M

Opening Weekend: 2.55M

Legs: 1.43

Overview: After millions of people vanish and the world falls into chaos, a charismatic leader rises to lead the UN. However, his intentions are more sinister than they appear.


TMDB

4.7

IMDB

4.5

Metacritic

0

RT Popcorn

97

Letterboxd

2.00

Daily Table

DateRevenue% YDTheaters
Thu, Jan 26, 2023$611,022+ 0.00%1393
Fri, Jan 27, 2023$703,369+ 15.11%1362
Sat, Jan 28, 2023$951,699+ 35.31%1405
Sun, Jan 29, 2023$898,084 -5.63%1407
Mon, Jan 30, 2023$54,567 -93.92%228
Tue, Jan 31, 2023$58,239+ 6.73%255
Wed, Feb 1, 2023$47,125 -19.08%272
Thu, Feb 2, 2023$12,608 -73.25%112
Fri, Feb 3, 2023$44,148+ 250.16%324
Sat, Feb 4, 2023$86,599+ 96.16%352
Sun, Feb 5, 2023$68,520 -20.88%352
Mon, Feb 6, 2023$27,156 -60.37%356
Tue, Feb 7, 2023$41,815+ 53.98%356
Wed, Feb 8, 2023$31,899 -23.71%345
Thu, Feb 9, 2023$12,572 -60.59%166
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Comps

Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.

TitleRelease DateBudget
Self/lessJul 10, 2015$26M
The CircleApr 27, 2017$18M
Victor FrankensteinNov 10, 2015$40M
UpgradeMay 31, 2018$5M
Maze Runner: The Death CureJan 10, 2018$62M
The Dark TowerAug 3, 2017$60M
Hotel ArtemisJun 7, 2018$15M
Captive StateMar 15, 2019$25M
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Profitability Breakdown

Domestic

Week 1: $3.32M

Investor Share: $1.99M

Week 2: $312.75K

Investor Share: $172.01K

Week 3+: $12.57K

Investor Share: $6.29K

International

$568.53K (13.48%)

Investor Share: $198.98K

Costs

Budget: $10M


P&A: $10M

Breakdown

Gross: $4.22M


Net: $2.37M


Costs: $20M

Profit

Profit: $-17.63M (Loss)

The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.

Production Companies