
Domestic Total: 57.9M
Opening Weekend: 24.17M
Legs: 2.40
Overview: Thomas leads his group of escaped Gladers on their final and most dangerous mission yet. To save their friends, they must break into the legendary Last City, a WCKD-controlled labyrinth that may turn out to be the deadliest maze of all. Anyone who makes it out alive will get answers to the questions the Gladers have been asking since they first arrived in the maze.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Jan 26, 2018 | $8,448,249 | + 0.00% | 3787 |
| Sat, Jan 27, 2018 | $9,640,001 | + 14.11% | 3787 |
| Sun, Jan 28, 2018 | $6,078,761 | -36.94% | 3787 |
| Mon, Jan 29, 2018 | $1,362,932 | -77.58% | 3787 |
| Tue, Jan 30, 2018 | $1,904,916 | + 39.77% | 3787 |
| Wed, Jan 31, 2018 | $1,090,374 | -42.76% | 3787 |
| Thu, Feb 1, 2018 | $1,034,966 | -5.08% | 3787 |
| Fri, Feb 2, 2018 | $3,050,237 | + 194.72% | 3793 |
| Sat, Feb 3, 2018 | $5,420,207 | + 77.70% | 3793 |
| Sun, Feb 4, 2018 | $2,004,451 | -63.02% | 3793 |
| Mon, Feb 5, 2018 | $720,463 | -64.06% | 3793 |
| Tue, Feb 6, 2018 | $1,027,145 | + 42.57% | 3793 |
| Wed, Feb 7, 2018 | $653,667 | -36.36% | 3793 |
| Thu, Feb 8, 2018 | $581,760 | -11.00% | 3793 |
| Fri, Feb 9, 2018 | $1,496,802 | + 157.29% | 2923 |
| Sat, Feb 10, 2018 | $2,848,536 | + 90.31% | 2923 |
| Sun, Feb 11, 2018 | $1,876,965 | -34.11% | 2923 |
| Mon, Feb 12, 2018 | $464,894 | -75.23% | 2923 |
| Tue, Feb 13, 2018 | $539,240 | + 15.99% | 2923 |
| Wed, Feb 14, 2018 | $931,540 | + 72.75% | 2923 |
| Thu, Feb 15, 2018 | $304,020 | -67.36% | 2923 |
| Fri, Feb 16, 2018 | $644,025 | + 111.84% | 1892 |
| Sat, Feb 17, 2018 | $1,072,762 | + 66.57% | 1892 |
| Sun, Feb 18, 2018 | $883,608 | -17.63% | 1892 |
| Mon, Feb 19, 2018 | $643,459 | -27.18% | 1892 |
| Tue, Feb 20, 2018 | $291,023 | -54.77% | 1892 |
| Wed, Feb 21, 2018 | $193,906 | -33.37% | 1892 |
| Thu, Feb 22, 2018 | $157,695 | -18.67% | 1892 |
| Fri, Feb 23, 2018 | $240,643 | + 52.60% | 952 |
| Sat, Feb 24, 2018 | $448,134 | + 86.22% | 952 |
| Sun, Feb 25, 2018 | $273,842 | -38.89% | 952 |
| Mon, Feb 26, 2018 | $67,169 | -75.47% | 952 |
| Tue, Feb 27, 2018 | $98,674 | + 46.90% | 952 |
| Wed, Feb 28, 2018 | $72,602 | -26.42% | 952 |
| Thu, Mar 1, 2018 | $56,543 | -22.12% | 952 |
| Fri, Mar 2, 2018 | $114,004 | + 101.62% | 543 |
| Sat, Mar 3, 2018 | $218,327 | + 91.51% | 543 |
| Sun, Mar 4, 2018 | $138,591 | -36.52% | 543 |
| Mon, Mar 5, 2018 | $39,851 | -71.25% | 543 |
| Tue, Mar 6, 2018 | $54,453 | + 36.64% | 543 |
| Wed, Mar 7, 2018 | $45,167 | -17.05% | 543 |
| Thu, Mar 8, 2018 | $32,596 | -27.83% | 543 |
| Fri, Mar 9, 2018 | $44,238 | + 35.72% | 214 |
| Sat, Mar 10, 2018 | $87,385 | + 97.53% | 214 |
| Sun, Mar 11, 2018 | $50,010 | -42.77% | 214 |
| Mon, Mar 12, 2018 | $19,952 | -60.10% | 214 |
| Tue, Mar 13, 2018 | $26,918 | + 34.91% | 214 |
| Wed, Mar 14, 2018 | $22,220 | -17.45% | 214 |
| Thu, Mar 15, 2018 | $18,072 | -18.67% | 214 |
| Fri, Mar 16, 2018 | $29,225 | + 61.71% | 147 |
| Sat, Mar 17, 2018 | $47,701 | + 63.22% | 147 |
| Sun, Mar 18, 2018 | $26,168 | -45.14% | 147 |
| Mon, Mar 19, 2018 | $10,384 | -60.32% | 147 |
| Tue, Mar 20, 2018 | $13,907 | + 33.93% | 147 |
| Wed, Mar 21, 2018 | $9,657 | -30.56% | 147 |
| Thu, Mar 22, 2018 | $10,077 | + 4.35% | 147 |
| Fri, Mar 23, 2018 | $21,667 | + 115.01% | 102 |
| Sat, Mar 24, 2018 | $37,292 | + 72.11% | 102 |
| Sun, Mar 25, 2018 | $23,380 | -37.31% | 102 |
| Mon, Mar 26, 2018 | $9,410 | -59.75% | 102 |
| Tue, Mar 27, 2018 | $12,456 | + 32.37% | 102 |
| Wed, Mar 28, 2018 | $9,490 | -23.81% | 128 |
| Thu, Mar 29, 2018 | $12,307 | + 29.68% | 128 |
| Fri, Mar 30, 2018 | $21,077 | + 71.26% | 103 |
| Sat, Mar 31, 2018 | $21,573 | + 2.35% | 103 |
| Sun, Apr 1, 2018 | $14,231 | -34.03% | 103 |
| Mon, Apr 2, 2018 | $9,475 | -33.42% | 103 |
| Tue, Apr 3, 2018 | $8,689 | -8.30% | 103 |
| Wed, Apr 4, 2018 | $8,796 | + 1.23% | 103 |
| Thu, Apr 5, 2018 | $9,363 | + 6.45% | 103 |
| Name | Character |
|---|---|
| Dylan O'Brien | Thomas |
| Kaya Scodelario | Teresa Agnes |
| Thomas Brodie-Sangster | Newt |
| Ki Hong Lee | Minho |
| Dexter Darden | Frypan |
| Rosa Salazar | Brenda |
| Giancarlo Esposito | Jorge |
| Will Poulter | Gally |
| Aidan Gillen | Janson |
| Patricia Clarkson | Ava Paige |
| Barry Pepper | Vince |
| Walton Goggins | Lawrence |
| Nathalie Emmanuel | Harriet |
| Jacob Lofland | Aris Jones |
| Katherine McNamara | Sonya |
| Dylan Smith | Jasper |
| Jake Curran | WCKD Lieutenant |
| Dylan Kriek | Co Conductor |
| Scot Cooper | Station Chief |
| Kazi Maubert | Immune Child |
| Bart Fouche | Engineer |
| Greg Kriek | Co-Conductor |
| Paul du Toit | Berg Pilot |
| Liza Scholtz | Nurse |
| Shai Lun Choo | Little Girl |
| Fiona Ramsay | Board Member |
| Paul Hampshire | Soldier |
| Nathan Barris | Soldier |
| Drikus Volschenk | Team Leader |
| Clayton Evertson | WCKD Operator |
| Emily Child | Infected Woman |
| Dale Jackson | Holding Area Guard |
| Armando De Leca | WCKD Guard |
| Paul Lazenby | Guard (uncredited) |
| Parm Soor | Board Member (uncredited) |
| Ryan Higgins | Extra (uncredited) |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| X-Men: Apocalypse | May 18, 2016 | $178M |
| Victor Frankenstein | Nov 10, 2015 | $40M |
| Fantastic Four | Aug 5, 2015 | $120M |
| The Martian | Sep 30, 2015 | $108M |
| Assassin's Creed | Dec 21, 2016 | $125M |
| Independence Day: Resurgence | Jun 22, 2016 | $165M |
| Maze Runner: The Scorch Trials | Sep 9, 2015 | $61M |
| The 5th Wave | Jan 14, 2016 | $38M |
Week 1: $29.56M
Week 2: $13.46M
Investor Share: $7.4M
Week 3+: $14.88M
Investor Share: $7.44M
$207.85M (78.21%)
Investor Share: $72.75M
Budget: $62M
P&A: $62M
Gross: $265.75M
Net: $105.33M
Costs: $124M
Profit: $-18.67M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.