
Domestic Total: 3.58K
Opening Weekend: 0.00
Legs: 1.25
Overview: In the early 20th century, impoverished teenage Italian cobbler Salvatore Ferragamo sailed from Naples to America to seek a better life. He settled in Southern California, and became Hollywood's go-to shoemaker during the silent era. In 1927, he returned to Italy and founded in Florence his namesake luxury brand. This feature-length documentary recounts his adventures.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Mon, Nov 7, 2022 | $716 | + 0.00% | 2 |
| Tue, Nov 8, 2022 | $784 | + 9.50% | 2 |
| Wed, Nov 9, 2022 | $1,142 | + 45.66% | 2 |
| Thu, Nov 10, 2022 | $939 | -17.78% | 2 |
| Name | Character |
|---|---|
| Salvatore Ferragamo | Self (archive footage) |
| Manolo Blahnik | Self |
| Grace Coddington | Self |
| Christian Louboutin | Self |
| Suzy Menkes | Self |
| Deborah Nadoolman Landis | Self |
| Martin Scorsese | Self |
| Michael Stuhlbarg | Self - Narrator (voice) |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| The Seasons in Quincy: Four Portraits of John Berger | Jun 23, 2017 | $0 |
| Batkid Begins | Jun 26, 2015 | $0 |
| The Biggest Little Farm | Jun 5, 2019 | $0 |
| One Child Nation | Mar 29, 2019 | $0 |
| The Devil and Father Amorth | Apr 20, 2018 | $0 |
| Hale County This Morning, This Evening | Sep 14, 2018 | $0 |
| Ingrid Bergman: In Her Own Words | Aug 27, 2015 | $0 |
| Pope Francis: A Man of His Word | May 18, 2018 | $0 |
Week 1: $3.58K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$85.31K (95.97%)
Investor Share: $29.86K
Budget: $N/A
P&A: $N/A
Gross: $88.89K
Net: $32.01K
Costs: $0.00
Profit: $32.01K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.