Domestic Total: 62.38K
Opening Weekend: 60.51K
Legs: 1.03
Overview: When Covid-19 hit New York City in 2020, filmmaker Matthew Heineman gained unique access to one of New York’s hardest-hit hospital systems. The resulting film focuses on the doctors, nurses, and patients on the frontlines during the “first wave” from March to June 2020. Their distinct storylines each serve as a microcosm to understand how the city persevered through the worst pandemic in a century
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Nov 19, 2021 | $25,093 | + 0.00% | 11 |
| Sat, Nov 20, 2021 | $31,365 | + 25.00% | 11 |
| Sun, Nov 21, 2021 | $4,053 | -87.08% | 11 |
| Mon, Nov 22, 2021 | $779 | -80.78% | 11 |
| Tue, Nov 23, 2021 | $440 | -43.52% | 11 |
| Wed, Nov 24, 2021 | $462 | + 5.00% | 11 |
| Thu, Nov 25, 2021 | $184 | -60.17% | 11 |
| Name | Character |
|---|---|
| Nathalie Dougé | Self |
| Alexis Ellis | Self - Ahmed's Wife |
| Kellie Wunsch | Self |
| Brussels Jabon | Self |
| Naph Jabon | Self - Brussels' Husband |
| Athens Garrote | Self - Brussels' Sister |
| Andrew Cuomo | Self (archive footage) |
| Michael Dowling | Self |
| Al Sharpton | Self (archive footage) |
| Karl Arabian | Self |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Pavarotti | Jun 4, 2019 | $0 |
| Jeremiah Tower: The Last Magnificent | Jul 29, 2016 | $0 |
| The B-Side: Elsa Dorfman's Portrait Photography | Jun 30, 2017 | $0 |
| One Child Nation | Mar 29, 2019 | $0 |
| Becoming Cousteau | Oct 22, 2021 | $0 |
| Gleason | Jul 30, 2016 | $0 |
| Whitney | Jul 5, 2018 | $0 |
| The Sparks Brothers | Jun 18, 2021 | $0 |
Week 1: $62.38K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$4.46K (6.68%)
Investor Share: $1.56K
Budget: $N/A
P&A: $N/A
Gross: $66.84K
Net: $38.99K
Costs: $0.00
Profit: $38.99K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.