Domestic Total: 380.03K
Opening Weekend: 84.51K
Legs: 3.58
Overview: Two women. One white. The other black. Society mandated they be enemies. The gospel of Jesus Christ required they be friends. On the eve of the death of Joseph Smith, his widow, Emma, is on the brink of destruction. In order to stand with her friend in her darkest hour, one woman, Jane Manning, will need to hear the voice of God once more. Can she hear His voice again? And if so, can she find the strength to abide it?
| Name | Character |
|---|---|
| Danielle Deadwyler | Jane Manning |
| Emily Goss | Emma Smith |
| Brad Schmidt | Joseph Smith |
| K. Danor Gerald | Isaac James |
| Clotile Bonner | Angeline Manning |
| Ann Bosler | Sister Littlewood |
| Gabriel Casdorph | Nathaniel |
| Aristide Gatereste | Peter |
| Madison Hall | Emily |
| Rachel Woodward Hansen | Maria |
| Anna Lori Krebs | Sarah |
| Daniel McLeod | William Clayton |
| Mary Neville | Eliza |
| Marcus Olsen | Fred |
| David Stevens | Stranger |
| Joseph Warren | Sylvester |
| Jay Whittaker | Lewis |
| Yolanda Stange | Momma |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Greater | Aug 26, 2016 | $0 |
| Spirit of the Game | Oct 8, 2016 | $3M |
| Christine | Oct 14, 2016 | $0 |
| Pawn Sacrifice | Sep 16, 2015 | $19M |
| Trumbo | Oct 27, 2015 | $15M |
| Spotlight | Nov 6, 2015 | $20M |
| Elvis & Nixon | Mar 22, 2016 | $5M |
| I'm Not Ashamed | Oct 21, 2016 | $2M |
Week 1: $143.57K
Week 2: $88.38K
Investor Share: $48.61K
Week 3+: $148.08K
Investor Share: $74.04K
$N/A (0.00%)
Investor Share: $N/A
Budget: $N/A
P&A: $N/A
Gross: $380.03K
Net: $208.79K
Costs: $0.00
Profit: $208.79K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.