Domestic Total: 17.45K
Opening Weekend: 12.3K
Legs: 1.42
Overview: A college freshman joins her university's rowing team and undertakes an obsessive physical and psychological journey to make it to the top varsity boat, no matter the cost.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Dec 17, 2021 | $5,125 | + 0.00% | 36 |
| Sat, Dec 18, 2021 | $4,239 | -17.29% | 36 |
| Sun, Dec 19, 2021 | $2,937 | -30.71% | 36 |
| Mon, Dec 20, 2021 | $1,642 | -44.09% | 36 |
| Tue, Dec 21, 2021 | $1,140 | -30.57% | 36 |
| Wed, Dec 22, 2021 | $955 | -16.23% | 36 |
| Thu, Dec 23, 2021 | $1,413 | + 47.96% | 36 |
| Name | Character |
|---|---|
| Isabelle Fuhrman | Alex |
| Amy Forsyth | Jamie |
| Dilone | Dani |
| Jonathan Cherry | Coach Pete |
| Kate Drummond | Coach Edwards |
| Charlotte Ubben | Erin |
| Sage Irvine | Janssen |
| Chantelle Bishop | Highsmith |
| Jeni Ross | Winona |
| Nikki Duval | Try-Hard |
| Eve Kanyo | Groundman |
| Neil Babcock | Frat Boy |
| Robert Ifedi | Bouncer |
| Kialeigh Magee | Moore |
| Jeff Scott Whal | Bartender |
| Nigel Holt | Dani's Guitarist |
| Al Bernstein | Dean |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| All I See Is You | Aug 10, 2017 | $30M |
| An Acceptable Loss | Jan 18, 2019 | $0 |
| Dreamland | Nov 27, 2019 | $0 |
| The Florida Project | Oct 6, 2017 | $2M |
| The Wall | May 12, 2017 | $3M |
| First Reformed | May 18, 2018 | $4M |
| Official Secrets | Aug 30, 2019 | $0 |
| Thoroughbreds | Mar 9, 2018 | $0 |
Week 1: $17.45K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$78.06K (81.73%)
Investor Share: $27.32K
Budget: $N/A
P&A: $N/A
Gross: $95.51K
Net: $37.79K
Costs: $0.00
Profit: $37.79K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.