Domestic Total: 793.64K
Opening Weekend: 47.46K
Legs: 4.13
Overview: In rural Western Massachusetts, 11-year-old Lacy spends the summer of 1991 at home, enthralled by her own imagination and the attention of her mother, Janet. As the months pass, three visitors enter their orbit, all captivated by Janet.
| Name | Character |
|---|---|
| Julianne Nicholson | Janet |
| Zoe Ziegler | Lacy |
| Will Patton | Wayne |
| Sophie Okonedo | Regina |
| Elias Koteas | Avi |
| Luke Bosco | Male Counselor |
| June Walker Grossman | Susanna |
| Abby Harri | Emily |
| Edie Moon Kearns | Sequoia |
| Mary Shultz | Davina |
| Jeremy Louise Eaton | Performer 1 |
| Raky Sastri | Performer 2 |
| John Peitso | Performer 3 |
| Carolyn Walker | Performer 4 |
| Matthew Glassman | Performer 5 |
| Mary Beth Brooker | Bonnie |
| George Marshall | Contra Dance Caller |
| Laura Litterer | Person at End |
| Cynthia Clancy | Theatre Goer (uncredited) |
| Liza Francini | Singing Camper (uncredited) |
| Julia Weston | Teen Girl at Mall (uncredited) |
| Julia Weston | Teen Girl at Mall (uncredited) |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Counter Column | May 21, 2021 | $0 |
| Ophelia | Jun 28, 2019 | $12M |
| Belfast | Nov 12, 2021 | $11M |
| Mr. Church | Sep 16, 2016 | $8M |
| Wonder Wheel | Dec 1, 2017 | $25M |
| Carter High | Oct 30, 2015 | $0 |
| Brooklyn | Oct 20, 2015 | $11M |
| Sing Street | Mar 11, 2016 | $4M |
Week 1: $77.51K
Week 2: $335.67K
Investor Share: $184.62K
Week 3+: $380.47K
Investor Share: $190.23K
$6.91K (0.86%)
Investor Share: $2.42K
Budget: $N/A
P&A: $N/A
Gross: $800.54K
Net: $423.77K
Costs: $0.00
Profit: $423.77K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.