Domestic Total: 5.66M
Opening Weekend: 111.2K
Legs: 4.06
Overview: In 1979 Santa Barbara, California, Dorothea Fields is a determined single mother in her mid-50s who is raising her adolescent son, Jamie, at a moment brimming with cultural change and rebellion. Dorothea enlists the help of two younger women – Abbie, a free-spirited punk artist living as a boarder in the Fields' home and Julie, a savvy and provocative teenage neighbour – to help with Jamie's upbringing.
| Name | Character |
|---|---|
| Annette Bening | Dorothea Fields |
| Lucas Jade Zumann | Jamie Fields |
| Greta Gerwig | Abbie Porter |
| Elle Fanning | Julie Miller |
| Billy Crudup | William |
| Alison Elliott | Julie's Mother |
| Thea Gill | Gail Porter (Abbie's Mother) |
| Vitaly Andrew LeBeau | Young Jamie |
| Olivia Hone | Julie's Sister |
| Waleed Zuaiter | Charlie |
| Curran Walters | Matt |
| Darrell Britt-Gibson | Julian |
| Alia Shawkat | Trish |
| Nathalie Love | Cindy |
| Cameron Protzman | Teen in Therapy |
| Victoria Bruno | Teen in Therapy |
| John Billingsley | Abbie's ObGyn |
| Cameron Gellman | Mark |
| Finnegan Seeker Bell | Brian |
| Zoë Nanos | Tanya |
| Lauren Foley | Michelle |
| Gareth Williams | Fire Chief |
| J. Francisco Rodriguez | Fireman |
| Zoë Worth | Planned Parenthood Worker |
| Finn Roberts | Tim Drammer |
| Laura Slade Wiggins | Lynette Winters |
| Rick Gifford | Police Officer |
| Paul Tigue | Jamie's School Principal |
| Matthew Foster | Dorothea's Bank Manager |
| Kirk Bovill | Dorothea's Dinner Guest |
| Victoria Hoffman | Dorothea's Dinner Guest |
| Christina Offley | Dorothea's Dinner Guest |
| Randy Ryan | Dorothea's Dinner Guest |
| Diana Bostan | William's Woman |
| Toni Gaal | William's Woman |
| Hans-Peter Thomas | Abbie's NYC Boyfriend |
| Kai Lennox | Reporter / Abbie's Future Husband |
| Paul Messinger | Santa Barbara City Official |
| Eric Wentz | Emergency Room Doctor |
| Samantha Gros | Emergency Room Nurse |
| Britt Sanborn | Emergency Room Nurse |
| Alexis Milan Turner | Girls Choir |
| Catherine Zelinsky | Girls Choir |
| Boyce Buchanan | Girls Choir |
| Kyle Olivia Green | Girls Choir |
| Sam Marsh | Girls Choir |
| Antonia Marie Vivino | Girls Choir |
| Sara Pelayo | Girls Choir |
| Annabelle Lee | Girls Choir |
| Avi Boyko | "Phlask" (Club Band) |
| Tyler Leyva | "Phlask" (Club Band) |
| Cameron Simon | "Phlask" (Club Band) |
| Jesse Sanes | "Snake Fang" (House Party Band) |
| Sam Bosson | "Snake Fang" (House Party Band) |
| Patrick Pastor | "Snake Fang" (House Party Band) |
| Ian Logan | "Snake Fang" (House Party Band) |
| Trent Bowman | Ramp Skater |
| Justin Rivera | Ramp Skater |
| Desmond Shepherd | Ramp Skater |
| Joshua Burge | Abbie's Friend |
| Daniel Dorr | Abbie's Friend |
| Christopher Carroll | Pharmacist |
| Hayden Gold | Julie's Hesher Friend |
| Alex Wexo | Julie's Stepdad |
| Pete Mason | Bi Plane Pilot |
| Padraic Cassidy | Drafting Office Manager |
| Matthew Cardarople | Bartender |
| Toni Christopher | Woman at Bar |
| Tanya Young | William's Woman |
| Jimmy Carter | Self (archive footage) |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Miss Sloane | Nov 25, 2016 | $13M |
| Manchester by the Sea | Nov 18, 2016 | $9M |
| The Big Short | Dec 11, 2015 | $28M |
| Stonewall | Sep 18, 2015 | $14M |
| The Hateful Eight | Dec 25, 2015 | $44M |
| Billy Lynn's Long Halftime Walk | Nov 10, 2016 | $40M |
| By the Sea | Nov 12, 2015 | $10M |
| Silence | Dec 23, 2016 | $46M |
Week 1: $225.48K
Week 2: $185.6K
Investor Share: $102.08K
Week 3+: $5.25M
Investor Share: $2.63M
$3.69M (39.44%)
Investor Share: $1.29M
Budget: $7M
P&A: $7M
Gross: $9.35M
Net: $4.16M
Costs: $14M
Profit: $-9.84M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.