Domestic Total: 2.54M
Opening Weekend: 0.00
Legs: 1.00
Overview: Following a startling chain of events, the most controversial pastor in America, Greg Locke, took a 180-degree turn from his mainstream religious traditions and led his church to the brink of revival. He and a diverse group of unconventional preachers then began to spark the most important awakening in the history of the Christian Church — through the most unlikely means – by casting out demons. This fiery film documents the beginnings of their journey.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Mon, Mar 13, 2023 | $973,795 | + 0.00% | 766 |
| Mon, Apr 10, 2023 | $903,633 | -7.21% | 1047 |
| Tue, Apr 11, 2023 | $666,485 | -26.24% | 978 |
| Name | Character |
|---|---|
| Greg Locke | Self |
| Daniel Adams | Self |
| Tai Locke | Self |
| Isaiah Saldivar | Self |
| Alexander Pagani | Self |
| Vladimir Savchuk | Self |
| Mike Signorelli | Self |
| Leon Du Preez | Self |
| Henry Shaffer | Self |
| Ciara Clark | Self |
| Hudson Locke | Self |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Sparks: The Ken Sparks Story | Jan 7, 2022 | $0 |
| SEED: The Untold Story | Sep 23, 2016 | $650K |
| Risk | May 5, 2017 | $0 |
| The Alpinist | Feb 7, 2021 | $0 |
| The Beatles: Eight Days a Week - The Touring Years | Sep 15, 2016 | $5 |
| Served Like a Girl | Nov 8, 2017 | $0 |
| Superspreader | Sep 29, 2022 | $0 |
| They Shall Not Grow Old | Nov 9, 2018 | $0 |
Week 1: $2.54M
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$N/A (0.00%)
Investor Share: $N/A
Budget: $N/A
P&A: $N/A
Gross: $2.54M
Net: $1.53M
Costs: $0.00
Profit: $1.53M
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.