Domestic Total: 6.56M
Opening Weekend: 2.78M
Legs: 2.36
Overview: A powerful cinematic Biblical journey that brings to life the ultimate act of love and sacrifice as seen through the eyes of those who walked alongside Jesus.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Mar 14, 2025 | $1,014,667 | + 0.00% | 1575 |
| Sat, Mar 15, 2025 | $973,270 | -4.08% | 1575 |
| Sun, Mar 16, 2025 | $789,297 | -18.90% | 1575 |
| Mon, Mar 17, 2025 | $276,230 | -65.00% | 1575 |
| Tue, Mar 18, 2025 | $446,690 | + 61.71% | 1575 |
| Wed, Mar 19, 2025 | $269,220 | -39.73% | 1575 |
| Thu, Mar 20, 2025 | $221,060 | -17.89% | 1575 |
| Fri, Mar 21, 2025 | $366,307 | + 65.70% | 1575 |
| Sat, Mar 22, 2025 | $541,279 | + 47.77% | 1575 |
| Sun, Mar 23, 2025 | $436,974 | -19.27% | 1575 |
| Mon, Mar 24, 2025 | $142,805 | -67.32% | 1575 |
| Tue, Mar 25, 2025 | $240,807 | + 68.63% | 1575 |
| Wed, Mar 26, 2025 | $157,495 | -34.60% | 1575 |
| Thu, Mar 27, 2025 | $83,190 | -47.18% | 1575 |
| Fri, Mar 28, 2025 | $81,922 | -1.52% | 837 |
| Sat, Mar 29, 2025 | $117,628 | + 43.59% | 837 |
| Sun, Mar 30, 2025 | $113,344 | -3.64% | 837 |
| Mon, Mar 31, 2025 | $44,439 | -60.79% | 837 |
| Tue, Apr 1, 2025 | $54,482 | + 22.60% | 837 |
| Wed, Apr 2, 2025 | $34,550 | -36.58% | 837 |
| Thu, Apr 3, 2025 | $31,427 | -9.04% | 837 |
| Fri, Apr 4, 2025 | $10,921 | -65.25% | 131 |
| Sat, Apr 5, 2025 | $15,847 | + 45.11% | 131 |
| Sun, Apr 6, 2025 | $18,529 | + 16.92% | 131 |
| Mon, Apr 7, 2025 | $4,608 | -75.13% | 131 |
| Tue, Apr 8, 2025 | $6,088 | + 32.12% | 131 |
| Wed, Apr 9, 2025 | $9,314 | + 52.99% | 131 |
| Thu, Apr 10, 2025 | $5,851 | -37.18% | 131 |
| Fri, Apr 11, 2025 | $4,294 | -26.61% | 44 |
| Sat, Apr 12, 2025 | $5,829 | + 35.75% | 44 |
| Sun, Apr 13, 2025 | $6,344 | + 8.84% | 44 |
| Mon, Apr 14, 2025 | $2,102 | -66.87% | 44 |
| Tue, Apr 15, 2025 | $2,425 | + 15.37% | 44 |
| Wed, Apr 16, 2025 | $2,119 | -12.62% | 44 |
| Thu, Apr 17, 2025 | $2,140 | + 0.99% | 44 |
| Fri, Apr 18, 2025 | $13,780 | + 543.93% | 46 |
| Sat, Apr 19, 2025 | $10,220 | -25.83% | 46 |
| Sun, Apr 20, 2025 | $3,831 | -62.51% | 46 |
| Mon, Apr 21, 2025 | $838 | -78.13% | 46 |
| Tue, Apr 22, 2025 | $1,258 | + 50.12% | 46 |
| Wed, Apr 23, 2025 | $1,010 | -19.71% | 46 |
| Thu, Apr 24, 2025 | $426 | -57.82% | 46 |
| Name | Character |
|---|---|
| Jamie Ward | Jesus Christ |
| James Oliver Wheatley | Peter |
| Charlie MacGechan | John |
| Nathalie Rapti Gomez | Mary Magdalene |
| James Faulkner | Caiaphas |
| Robert Knepper | Judas |
| Daniel Fathers | Joseph of Arimathea |
| Batoul Marie Prenant | Rachel |
| Sami Fekkak | Sextus |
| Harry Anton | Simon the Zealot |
| Benjamin Dilloway | Malchus |
| Valentina Kamenova | Esther |
| Faical El Kihel | Tiberius |
| Henry Garrett | Nicodemus |
| Fredrik Wagner | Andrew |
| Sairi Salma | Caiaphas wife |
| Ismael Kanater | Grandfather Ezequiel |
| Youssef Tounzi | James the lesser |
| Abbas Abdulghani | Patron David |
| Laura Fuino | Lady Leah |
| Ottavio Taddei | James The Greater |
| Mayssae El Halla | Mother Mary |
| Billy Rayner | Thomas |
| Abdeslam Bouhcini | Bartholomew |
| Vincenzo Galluzzo | Phillip |
| Joud Bouhcini | Oldest Boy Moses |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| The Best of Enemies | Apr 5, 2019 | $10M |
| Bob Marley: One Love | Feb 14, 2024 | $70M |
| Operation Finale | Aug 29, 2018 | $24M |
| Eddie the Eagle | Feb 25, 2016 | $23M |
| Samson | Feb 16, 2018 | $4M |
| Cabrini | Mar 7, 2024 | $50M |
| First Man | Oct 10, 2018 | $70M |
| Chappaquiddick | Apr 6, 2018 | $34M |
Week 1: $3.99M
Week 2: $1.97M
Investor Share: $1.08M
Week 3+: $605.57K
Investor Share: $302.78K
$N/A (0.00%)
Investor Share: $N/A
Budget: $8M
P&A: $8M
Gross: $6.56M
Net: $3.78M
Costs: $16M
Profit: $-12.22M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.