Movie Information
Domestic Total: 447.48K
Opening Weekend: 65.07K
Legs: 4.67
Overview: A decade after his death, genre-defying filmmaker William Greaves has one last trick up his sleeve with what he considered the most important event he captured on film: a 1972 party he engineered with the living luminaries of the Harlem Renaissance.
TMDB
IMDB
Metacritic
RT Tomato
RT Popcorn
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Oct 16, 2026 | $22,740 | + 0.00% | 2 |
| Sat, Oct 17, 2026 | $23,567 | + 3.64% | 2 |
| Sun, Oct 18, 2026 | $18,766 | -20.37% | 2 |
| Mon, Oct 19, 2026 | $10,258 | -45.34% | 2 |
| Tue, Oct 20, 2026 | $8,397 | -18.14% | 2 |
| Wed, Oct 21, 2026 | $11,966 | + 42.50% | 2 |
| Thu, Oct 22, 2026 | $11,392 | -4.80% | 2 |
| Fri, Oct 23, 2026 | $15,211 | + 33.52% | 3 |
| Sat, Oct 24, 2026 | $20,000 | + 31.48% | 3 |
| Sun, Oct 25, 2026 | $15,597 | -22.02% | 3 |
| Mon, Oct 26, 2026 | $6,336 | -59.38% | 3 |
| Tue, Oct 27, 2026 | $5,711 | -9.86% | 3 |
| Wed, Oct 28, 2026 | $5,953 | + 4.24% | 3 |
| Thu, Oct 29, 2026 | $6,148 | + 3.28% | 3 |
| Fri, Oct 30, 2026 | $37,908 | + 516.59% | 15 |
| Sat, Oct 31, 2026 | $24,261 | -36.00% | 15 |
| Sun, Nov 1, 2026 | $28,386 | + 17.00% | 15 |
| Mon, Nov 2, 2026 | $8,733 | -69.23% | 15 |
| Tue, Nov 3, 2026 | $10,175 | + 16.51% | 15 |
| Wed, Nov 4, 2026 | $10,553 | + 3.71% | 15 |
| Thu, Nov 5, 2026 | $10,394 | -1.51% | 15 |
| Fri, Nov 6, 2026 | $29,590 | + 184.68% | 49 |
| Sat, Nov 7, 2026 | $25,173 | -14.93% | 49 |
| Sun, Nov 8, 2026 | $25,425 | + 1.00% | 49 |
| Mon, Nov 9, 2026 | $12,204 | -52.00% | 49 |
| Tue, Nov 10, 2026 | $13,058 | + 7.00% | 49 |
| Wed, Nov 11, 2026 | $19,848 | + 52.00% | 49 |
| Thu, Nov 12, 2026 | $9,726 | -51.00% | 49 |
Cast
| Name | Character |
|---|---|
| Aaron Douglas | Self (archival footage) |
| Richard Bruce Nugent | Self (archival footage) |
| Ernest Crichlow | Self (archival footage) |
| Eubie Blake | Self (archival footage) |
| Leigh Whipper | Self (archival footage) |
| Arna Bontemps | Self (archival footage) |
| William Greaves | Self (archival footage) |
| James Van Der Zee | Self (archival footage) |
| Ida Mae Cullen | Self (archival footage) |
| Noble Sissle | Self (archival footage) |
| Romare Bearden | Self (archival footage) |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Rapid Response | Sep 6, 2019 | $0 |
| Becoming Cousteau | Oct 22, 2021 | $0 |
| Echo in the Canyon | May 24, 2019 | $0 |
| The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble | Jun 10, 2016 | $0 |
| Free Solo | Sep 28, 2018 | $0 |
| Won't You Be My Neighbor? | Jun 29, 2018 | $0 |
| Pavarotti | Jun 4, 2019 | $0 |
| Fiddler: A Miracle of Miracles | Aug 23, 2019 | $0 |
Profitability Breakdown
Domestic
Week 1: $107.09K
Week 2: $74.96K
Investor Share: $41.23K
Week 3+: $265.43K
Investor Share: $132.72K
International
$N/A (0.00%)
Investor Share: $N/A
Costs
Budget: $N/A
P&A: $N/A
Breakdown
Gross: $447.48K
Net: $238.19K
Costs: $0.00
Profit
Profit: $238.19K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.