Domestic Total: 851.4K
Opening Weekend: 0.00
Legs: 1.00
Overview: The Domino Revival, a gripping film that follows Mike Signorelli and a group of revivalists during a crucial time in history. As society's hunger for spiritual significance grows, witness the extraordinary power of Jesus Christ through Gospel preaching, verified miracles, overcoming despair, and deliverance from demons.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Tue, Oct 24, 2023 | $577,530 | + 0.00% | 1020 |
| Mon, Nov 13, 2023 | $273,868 | -52.58% | 769 |
| Name | Character |
|---|---|
| Mike Signorelli | N/A |
| Julie Signorelli | N/A |
| Isaiah Saldivar | N/A |
| Alexander Pagani | N/A |
| Jenny Weaver | N/A |
| Mark Driscoll | N/A |
| Ryan Lestrange | N/A |
| Vlad Savchuk | N/A |
| Craig Brown | N/A |
| Andy Byrd | N/A |
| Jacob Coyne | N/A |
| Leon Dupreez | N/A |
| Jessi Green | N/A |
| Parker Green | N/A |
| Jeremiah Johnson | N/A |
| Jonathan Stamper | N/A |
| Stephen Weaver | N/A |
| Shane Winnings | N/A |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Won't You Be My Neighbor? | Jun 29, 2018 | $0 |
| Echo in the Canyon | May 24, 2019 | $0 |
| The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble | Jun 10, 2016 | $0 |
| Free Solo | Sep 28, 2018 | $0 |
| The Alpinist | Feb 7, 2021 | $0 |
| They Shall Not Grow Old | Nov 9, 2018 | $0 |
| Superspreader | Sep 29, 2022 | $0 |
| Beyond Utopia | Oct 23, 2023 | $0 |
Week 1: $851.4K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$N/A (0.00%)
Investor Share: $N/A
Budget: $N/A
P&A: $N/A
Gross: $851.4K
Net: $510.84K
Costs: $0.00
Profit: $510.84K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.