Domestic Total: 40.76M
Opening Weekend: 14.8M
Legs: 2.89
Overview: After his life is turned upside down when his wife is killed in a London terrorist attack, a brilliant but introverted CIA decoder takes matters into his own hands when his supervisors refuse to take action.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Thu, Apr 10, 2025 | $2,000,000 | + 0.00% | |
| Fri, Apr 11, 2025 | $5,990,283 | + 199.51% | 3400 |
| Sat, Apr 12, 2025 | $5,419,250 | -9.53% | 3400 |
| Sun, Apr 13, 2025 | $3,393,316 | -37.38% | 3400 |
| Mon, Apr 14, 2025 | $1,128,193 | -66.75% | 3400 |
| Tue, Apr 15, 2025 | $1,944,819 | + 72.38% | 3400 |
| Wed, Apr 16, 2025 | $1,150,342 | -40.85% | 3400 |
| Thu, Apr 17, 2025 | $1,096,508 | -4.68% | 3400 |
| Fri, Apr 18, 2025 | $2,329,192 | + 112.42% | 3400 |
| Sat, Apr 19, 2025 | $2,879,858 | + 23.64% | 3400 |
| Sun, Apr 20, 2025 | $1,800,130 | -37.49% | 3400 |
| Mon, Apr 21, 2025 | $769,100 | -57.28% | 3400 |
| Tue, Apr 22, 2025 | $1,072,943 | + 39.51% | 3400 |
| Wed, Apr 23, 2025 | $603,471 | -43.76% | 3400 |
| Thu, Apr 24, 2025 | $477,615 | -20.86% | 3400 |
| Fri, Apr 25, 2025 | $1,016,471 | + 112.82% | 3060 |
| Sat, Apr 26, 2025 | $1,712,318 | + 68.46% | 3060 |
| Sun, Apr 27, 2025 | $954,561 | -44.25% | 3060 |
| Mon, Apr 28, 2025 | $287,996 | -69.83% | 3060 |
| Tue, Apr 29, 2025 | $544,212 | + 88.97% | 3060 |
| Wed, Apr 30, 2025 | $310,782 | -42.89% | 3060 |
| Thu, May 1, 2025 | $258,320 | -16.88% | 3060 |
| Fri, May 2, 2025 | $540,505 | + 109.24% | 2135 |
| Sat, May 3, 2025 | $854,653 | + 58.12% | 2135 |
| Sun, May 4, 2025 | $523,919 | -38.70% | 2135 |
| Mon, May 5, 2025 | $164,926 | -68.52% | 2135 |
| Tue, May 6, 2025 | $295,837 | + 79.38% | 2135 |
| Wed, May 7, 2025 | $178,706 | -39.59% | 2135 |
| Thu, May 8, 2025 | $152,243 | -14.81% | 2135 |
| Fri, May 9, 2025 | $299,549 | + 96.76% | 1200 |
| Sat, May 10, 2025 | $486,511 | + 62.41% | 1200 |
| Sun, May 11, 2025 | $385,718 | -20.72% | 1200 |
| Mon, May 12, 2025 | $97,716 | -74.67% | 1200 |
| Tue, May 13, 2025 | $149,846 | + 53.35% | 1200 |
| Wed, May 14, 2025 | $86,059 | -42.57% | 1200 |
| Thu, May 15, 2025 | $81,219 | -5.62% | 1200 |
| Fri, May 16, 2025 | $187,940 | + 131.40% | 850 |
| Sat, May 17, 2025 | $332,664 | + 77.01% | 850 |
| Sun, May 18, 2025 | $204,084 | -38.65% | 850 |
| Mon, May 19, 2025 | $83,138 | -59.26% | 850 |
| Tue, May 20, 2025 | $111,277 | + 33.85% | 850 |
| Wed, May 21, 2025 | $78,944 | -29.06% | 850 |
| Thu, May 22, 2025 | $38,074 | -51.77% | 850 |
| Fri, May 23, 2025 | $28,330 | -25.59% | 265 |
| Sat, May 24, 2025 | $47,206 | + 66.63% | 265 |
| Sun, May 25, 2025 | $38,988 | -17.41% | 265 |
| Mon, May 26, 2025 | $32,906 | -15.60% | 265 |
| Tue, May 27, 2025 | $15,699 | -52.29% | 265 |
| Wed, May 28, 2025 | $11,894 | -24.24% | 265 |
| Thu, May 29, 2025 | $9,708 | -18.38% | 265 |
| Fri, May 30, 2025 | $17,168 | + 76.84% | 120 |
| Sat, May 31, 2025 | $24,786 | + 44.37% | 120 |
| Sun, Jun 1, 2025 | $8,606 | -65.28% | 120 |
| Mon, Jun 2, 2025 | $2,321 | -73.03% | 120 |
| Tue, Jun 3, 2025 | $5,482 | + 136.19% | 120 |
| Wed, Jun 4, 2025 | $2,772 | -49.43% | 120 |
| Thu, Jun 5, 2025 | $3,151 | + 13.67% | 120 |
| Fri, Jun 6, 2025 | $10,196 | + 223.58% | 20 |
| Sat, Jun 7, 2025 | $15,411 | + 51.15% | 20 |
| Sun, Jun 8, 2025 | $3,757 | -75.62% | 20 |
| Mon, Jun 9, 2025 | $2,125 | -43.44% | 20 |
| Tue, Jun 10, 2025 | $2,657 | + 25.04% | 20 |
| Wed, Jun 11, 2025 | $2,821 | + 6.17% | 20 |
| Thu, Jun 12, 2025 | $443 | -84.30% | 20 |
| Name | Character |
|---|---|
| Rami Malek | Heller |
| Michael Stuhlbarg | Schiller |
| Laurence Fishburne | Henderson |
| Rachel Brosnahan | Sarah |
| Jon Bernthal | The Bear |
| Holt McCallany | Director Moore |
| Julianne Nicholson | Director O'Brien |
| Evan Milton | Slater |
| Nick Mills | Finn |
| Tiffany Gray | Esther |
| Adrian Martinez | Carlos |
| Kate Sumpter | Channel 6 Anchor |
| David Mills | NBNC Anchor |
| Anita Anand | CNC Anchor |
| Ryan Chilcote | CNC Reporter |
| Barbara Probst | Gretchen Frank |
| Joseph Millson | Ellish |
| Marc Rissmann | Mishka Blazhic |
| Danny Sapani | Caleb |
| Lanna Joffrey | Federal Official |
| Tom Clarke Hill | Burly Bartender |
| Anna Francolini | Anita Garrison |
| Alice Hewkin | Ali Park |
| Eli James | CIA Team #3 |
| Michael Monicatti | CIA Team #2 |
| Christy Meyer | CIA Team #1 / Vestry |
| Doug Cockle | CIA Security Agent |
| Tammie Rhee | IED Instructor - The Farm |
| Henri Faudou | Gretchen's Partner |
| Marthe Keller | Florist |
| Philippe De Grossouvre | Respiratory Clinic Doctor |
| Lily Sinko | Respiratory Clinic Secretary |
| Jean-Yves Cylly | Bus Station Ticket Agent |
| Caitríona Balfe | Inquiline |
| Henry Garrett | Chief of Staff |
| Christophe Dupuis | CIA Operative, Madrid |
| Bettina Kenney | News Reporter, Berlin |
| Lars Anund Larsson | Harbour Master |
| Jérémy Lagniez | Simon (Schiller Henchman) |
| Michaël Troude | Kristoff (Schiller Henchman) |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Inferno | Oct 13, 2016 | $75M |
| The Rhythm Section | Jan 31, 2020 | $50M |
| Jason Bourne | Jul 27, 2016 | $120M |
| The Girl in the Spider's Web | Oct 25, 2018 | $43M |
| The Hurricane Heist | Feb 28, 2018 | $35M |
| Breaking In | May 5, 2018 | $6M |
| Now You See Me 2 | Jun 2, 2016 | $120M |
| No Time to Die | Sep 29, 2021 | $250M |
Week 1: $21.03M
Week 2: $10.55M
Investor Share: $5.8M
Week 3+: $11.18M
Investor Share: $5.59M
$55.24M (56.37%)
Investor Share: $19.33M
Budget: $60M
P&A: $60M
Gross: $96M
Net: $43.34M
Costs: $120M
Profit: $-76.66M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.