Domestic Total: 0.00
Opening Weekend: 0.00
Legs: 0.00
Overview: When a charming house guest arrives at a remote castle, the delicate dynamic between a neglectful husband, his innocent bride Cherry and their devoted maid Hero is thrown into chaos.
| Date | Revenue | % YD | Theaters |
|---|
| Name | Character |
|---|---|
| Emma Corrin | Hero |
| Nicholas Galitzine | Manfred |
| Maika Monroe | Cherry |
| Amir El-Masry | Jerome |
| Charli xcx | Rosa |
| Richard E. Grant | Birdman |
| Felicity Jones | Narrator / Moon |
| Safia Oakley-Green | Kiddo |
| Josh Cowdery | Beaked Brother Hugo |
| Markella Kavenagh | Mrs. A |
| Clare Perkins | Wilmot |
| Christopher Fairbank | Beaked Brother Charles |
| Bijan Daneshmand | Jerome's Father |
| Michael Keogh | Guard David |
| Jordan Coulson | Guard Sam |
| Olivia D'Lima | Caterina |
| Kerena Jagpal | Mina |
| Jeff Mirza | Sea Captain |
| Tom Stourton | Merchant |
| Varada Sethu | Esa |
| Felix Uff | Clarence |
| Bella Law | Elle - David's Daughter |
| Zaris-Angel Hator | Lisa |
| Zara Hadeshian-Banks | Jerome's Mother |
| Brian Francis | Peasant (uncredited) |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Shang-Chi and the Legend of the Ten Rings | Sep 1, 2021 | $150M |
| Marry Me | Feb 9, 2022 | $23M |
| X-Men: Apocalypse | May 18, 2016 | $178M |
| The Light Between Oceans | Sep 2, 2016 | $20M |
| White Bird | Oct 25, 2023 | $20M |
| The Young Messiah | Mar 10, 2016 | $19M |
| Every Day | Feb 22, 2018 | $5M |
| Wonder Woman | May 30, 2017 | $149M |
Week 1: $0.00
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$N/A (NaN%)
Investor Share: $N/A
Budget: $N/A
P&A: $N/A
Gross: $0.00
Net: $0.00
Costs: $0.00
Profit: $0.00
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.