Domestic Total: 203.4K
Opening Weekend: 125.67K
Legs: 1.62
Overview: Paging Hezbollah is the extraordinary true story behind an intelligence operation that seemed impossible—how it was conceived, engineered and carried out, as well as the profound geopolitical consequences that followed.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Oct 30, 2026 | $40,093 | + 0.00% | 260 |
| Sat, Oct 31, 2026 | $37,686 | -6.00% | 260 |
| Sun, Nov 1, 2026 | $47,896 | + 27.09% | 260 |
| Mon, Nov 2, 2026 | $16,830 | -64.86% | 260 |
| Tue, Nov 3, 2026 | $19,796 | + 17.62% | 260 |
| Wed, Nov 4, 2026 | $21,565 | + 8.94% | 260 |
| Thu, Nov 5, 2026 | $6,647 | -69.18% | 260 |
| Fri, Nov 6, 2026 | $1,578 | -76.26% | 18 |
| Sat, Nov 7, 2026 | $2,999 | + 90.05% | 18 |
| Sun, Nov 8, 2026 | $4,339 | + 44.68% | 18 |
| Mon, Nov 9, 2026 | $1,081 | -75.09% | 18 |
| Tue, Nov 10, 2026 | $1,137 | + 5.18% | 18 |
| Wed, Nov 11, 2026 | $1,027 | -9.67% | 18 |
| Thu, Nov 12, 2026 | $726 | -29.31% | 18 |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Rapid Response | Sep 6, 2019 | $0 |
| Becoming Cousteau | Oct 22, 2021 | $0 |
| Echo in the Canyon | May 24, 2019 | $0 |
| The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble | Jun 10, 2016 | $0 |
| Free Solo | Sep 28, 2018 | $0 |
| Won't You Be My Neighbor? | Jun 29, 2018 | $0 |
| Pavarotti | Jun 4, 2019 | $0 |
| Fiddler: A Miracle of Miracles | Aug 23, 2019 | $0 |
Week 1: $190.51K
Week 2: $12.89K
Investor Share: $7.09K
Week 3+: $0.00
Investor Share: $0.00
$N/A (0.00%)
Investor Share: $N/A
Budget: $N/A
P&A: $N/A
Gross: $203.4K
Net: $121.4K
Costs: $0.00
Profit: $121.4K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.