Domestic Total: 1.12M
Opening Weekend: 656.53K
Legs: 1.70
Overview: Marla is forced to abandon her carefully structured life to embark on an epic journey to find her younger brother Charlie who has disappeared into the vast and wondrous animated world of Playmobil toys.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Dec 6, 2019 | $174,657 | + 0.00% | 2337 |
| Sat, Dec 7, 2019 | $280,033 | + 60.33% | 2337 |
| Sun, Dec 8, 2019 | $201,840 | -27.92% | 2337 |
| Mon, Dec 9, 2019 | $30,431 | -84.92% | 2337 |
| Tue, Dec 10, 2019 | $70,274 | + 130.93% | 2337 |
| Wed, Dec 11, 2019 | $40,467 | -42.42% | 2337 |
| Thu, Dec 12, 2019 | $25,021 | -38.17% | 2337 |
| Fri, Dec 13, 2019 | $27,979 | + 11.82% | 1458 |
| Sat, Dec 14, 2019 | $66,953 | + 139.30% | 1458 |
| Sun, Dec 15, 2019 | $48,803 | -27.11% | 1458 |
| Mon, Dec 16, 2019 | $10,151 | -79.20% | 1458 |
| Tue, Dec 17, 2019 | $24,321 | + 139.59% | 1458 |
| Wed, Dec 18, 2019 | $18,053 | -25.77% | 1458 |
| Thu, Dec 19, 2019 | $44,230 | + 145.00% | 1458 |
| Fri, Dec 20, 2019 | $17,429 | -60.59% | 66 |
| Sat, Dec 21, 2019 | $3,705 | -78.74% | 66 |
| Sun, Dec 22, 2019 | $3,289 | -11.23% | 66 |
| Mon, Dec 23, 2019 | $4,041 | + 22.86% | 66 |
| Tue, Dec 24, 2019 | $1,895 | -53.11% | 66 |
| Wed, Dec 25, 2019 | $462 | -75.62% | 25 |
| Thu, Dec 26, 2019 | $1,122 | + 142.86% | 25 |
| Fri, Dec 27, 2019 | $2,227 | + 98.48% | 25 |
| Sat, Dec 28, 2019 | $1,888 | -15.22% | 25 |
| Sun, Dec 29, 2019 | $1,553 | -17.74% | 25 |
| Mon, Dec 30, 2019 | $2,211 | + 42.37% | 25 |
| Tue, Dec 31, 2019 | $1,448 | -34.51% | 25 |
| Wed, Jan 1, 2020 | $1,420 | -1.93% | 25 |
| Thu, Jan 2, 2020 | $1,534 | + 8.03% | 25 |
| Fri, Jan 3, 2020 | $2,212 | + 44.20% | 25 |
| Sat, Jan 4, 2020 | $2,028 | -8.32% | 25 |
| Sun, Jan 5, 2020 | $2,208 | + 8.88% | 25 |
| Mon, Jan 6, 2020 | $828 | -62.50% | 25 |
| Tue, Jan 7, 2020 | $108 | -86.96% | 25 |
| Wed, Jan 8, 2020 | $135 | + 25.00% | 25 |
| Thu, Jan 9, 2020 | $52 | -61.48% | 25 |
| Name | Character |
|---|---|
| Anya Taylor-Joy | Marla |
| Jim Gaffigan | Del (voice) |
| Gabriel Bateman | Charlie |
| Adam Lambert | Emperor Maximus (voice) |
| Kenan Thompson | Bloodbones (voice) |
| Meghan Trainor | Fairy Godmother (voice) |
| Daniel Radcliffe | Rex Dasher (voice) |
| Paloma Rodríguez | Valera (voice) |
| Maddie Taylor | Glinara (voice) |
| Lino DiSalvo | Robotitron (voice) |
| Ryan S. Hill | 6-Year-Old Charlie |
| Mariah Inger | Police Officer 1 |
| Annakin Slayd | Police Officer 2 |
| Harry Strandjofski | Security Guard |
| Dino Andrade | Scurvy Pete (voice) |
| Ian James Corlett | Dogsled Driver (voice) |
| Ben Diskin | Seadog (voice) |
| Kellen Goff | Salty (voice) |
| Dan Navarro | Viking Leader (voice) |
| Tito Ortiz | Royal Guard (voice) |
| Andrew Pifko | S.K.U.L.L. Scientist (voice) |
| Cindy Robinson | Nola (voice) |
| Keith Silverstein | Liam Brooks (voice) |
| Christopher Corey Smith | Western Outlaw (voice) |
| Spike Spencer | Various Voices (voice) |
| Karen Strassman | Dr. Greta Grim (voice) |
| Kirk Thornton | Ook-Ook (voice) |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Minions | Jun 17, 2015 | $74M |
| The Nut Job 2: Nutty by Nature | Aug 11, 2017 | $40M |
| UglyDolls | May 1, 2019 | $45M |
| Sherlock Gnomes | Mar 15, 2018 | $59M |
| Early Man | Jan 26, 2018 | $50M |
| My Little Pony: The Movie | Oct 5, 2017 | $6M |
| Christopher Robin | Aug 1, 2018 | $75M |
| The Lego Movie 2: The Second Part | Feb 6, 2019 | $99M |
Week 1: $822.72K
Week 2: $240.49K
Investor Share: $132.27K
Week 3+: $51.8K
Investor Share: $25.9K
$15.17M (93.15%)
Investor Share: $5.31M
Budget: $75M
P&A: $75M
Gross: $16.29M
Net: $5.96M
Costs: $150M
Profit: $-144.04M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.