Domestic Total: 2.29M
Opening Weekend: 2.29M
Legs: 1.00
Overview: A teenage girl discovers a box with magical powers, but those powers comes with a deadly price.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Thu, Jul 13, 2017 | $376,000 | + 0.00% | |
| Fri, Jul 14, 2017 | $2,286,000 | + 507.98% | 2250 |
| Name | Character |
|---|---|
| Joey King | Clare Shannon |
| Ryan Phillippe | Jonathan Shannon |
| Ki Hong Lee | Ryan Hui |
| Mitchell Slaggert | Paul Middlebrook |
| Shannon Purser | June Acosta |
| Sydney Park | Meredith McNeil |
| Elisabeth Röhm | Johanna Shannon |
| Josephine Langford | Darcie Chapman |
| Alexander Nunez | Tyler Manguso |
| Daniela Barbosa | Lola Sanchez |
| Kevin Hanchard | Carl Morris |
| Sherilyn Fenn | Mrs. Deluca |
| Raegan Revord | Young Claire |
| Alice Lee Luk-Yu | Gina |
| Victor Sutton | Uncle August |
| Albert Chung | Roland Moon |
| Michelle Alexander | House Manager |
| Sean Jones | Highschool Student |
| Natalie Prinzen-Klages | Twin #1 |
| Jerry O'Connell | Previous Owner / Victim (uncredited) |
| Ryan Taerk | Ryan's Friend |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Krampus | Nov 26, 2015 | $15M |
| Split | Jan 19, 2017 | $9M |
| Incarnate | Dec 1, 2016 | $5M |
| The Forest | Jan 7, 2016 | $10M |
| The Boy | Jan 22, 2016 | $10M |
| Blair Witch | Sep 15, 2016 | $5M |
| The Belko Experiment | Mar 17, 2016 | $5M |
| The Visit | Sep 10, 2015 | $5M |
Week 1: $2.66M
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$9.18M (77.51%)
Investor Share: $3.21M
Budget: $12M
P&A: $12M
Gross: $11.46M
Net: $4.81M
Costs: $24M
Profit: $-19.19M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.