Domestic Total: 2.53M
Opening Weekend: 109.08K
Legs: 2.00
Overview: Galo and the Burning Rescue Fire Department face off against BURNISH, a group of mutants who are able to control and wield flames, and the fire disaster they have unleashed on Earth.
| Name | Character |
|---|---|
| Kenichi Matsuyama | Galo Thymos (voice) |
| Taichi Saotome | Lio Fotia (voice) |
| Ayane Sakura | Aina Ardebit (voice) |
| Hiroyuki Yoshino | Remi Puguna (voice) |
| Tetsu Inada | Varys Truss (voice) |
| Mayumi Shintani | Lucia Fex (voice) |
| Rikiya Koyama | Ignis Ex (voice) |
| Taiten Kusunoki | Vulcan Haestus (voice) |
| Ami Koshimizu | Heris Ardebit (voice) |
| Nobuyuki Hiyama | Gueira (voice) |
| Katsuyuki Konishi | Meis (voice) |
| Ryoka Yuzuki | Biar Colossus (voice) |
| Mitsuo Iwata | Burnish Eldery (voice) |
| Mao Ichimichi | Thyma (voice) |
| Tsuguo Mogami | Pizzeria Manager (voice) |
| Yu Okano | Pizza Man (voice) |
| Kendo Kobayashi | Vinny (voice) |
| Arata Furuta | Deus Prometh (voice) |
| Masato Sakai | Kray Foresight (voice) |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Bilal: A New Breed of Hero | Sep 8, 2016 | $30M |
| April and the Extraordinary World | Nov 4, 2015 | $10M |
| The Wandering Earth | Feb 5, 2019 | $48M |
| Mirai | Jun 16, 2018 | $0 |
| Okko's Inn | Sep 12, 2018 | $0 |
| Napping Princess | Mar 18, 2017 | $0 |
| MFKZ | May 23, 2018 | $0 |
| My Hero Academia: Two Heroes | Aug 3, 2018 | $12M |
Week 1: $905.3K
Week 2: $221.35K
Investor Share: $121.74K
Week 3+: $1.4M
Investor Share: $700.63K
$10.32M (80.32%)
Investor Share: $3.61M
Budget: $N/A
P&A: $N/A
Gross: $12.84M
Net: $4.98M
Costs: $0.00
Profit: $4.98M
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.