Movie Information
Domestic Total: 5.43M
Opening Weekend: 1.39M
Legs: 1.72
Overview: All Might and Deku accept an invitation to go abroad to a floating and mobile manmade city, called 'I-Island', where they research quirks as well as hero supplemental items at the special 'I-Expo' convention that is currently being held on the island. During that time, suddenly, despite an iron wall of security surrounding the island, the system is breached by a villain, and the only ones able to stop him are the students of Class 1-A.
TMDB
IMDB
Metacritic
Letterboxd
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Tue, Sep 25, 2018 | $947,636 | + 0.00% | 513 |
| Wed, Sep 26, 2018 | $911,262 | -3.84% | 515 |
| Thu, Sep 27, 2018 | $719,876 | -21.00% | 456 |
| Fri, Sep 28, 2018 | $111,769 | -84.47% | 508 |
| Sat, Sep 29, 2018 | $1,195,522 | + 969.64% | 508 |
| Sun, Sep 30, 2018 | $81,209 | -93.21% | 508 |
| Mon, Oct 1, 2018 | $149,572 | + 84.18% | 508 |
| Tue, Oct 2, 2018 | $1,021,607 | + 583.02% | 508 |
| Wed, Oct 3, 2018 | $9,623 | -99.06% | 508 |
| Thu, Oct 4, 2018 | $279,515 | + 2804.66% | 508 |
Cast
| Name | Character |
|---|---|
| Daiki Yamashita | Izuku Midoriya (voice) |
| Kenta Miyake | All Might (voice) |
| Mirai Shida | Melissa Shield (voice) |
| Katsuhisa Namase | David Shield (voice) |
| Nobuhiko Okamoto | Katsuki Bakugo (voice) |
| Ayane Sakura | Ochako Uraraka (voice) |
| Kaito Ishikawa | Tenya Iida (voice) |
| Yuki Kaji | Shoto Todoroki (voice) |
| Marina Inoue | Momo Yaoyorozu (voice) |
| Toshiki Masuda | Eijiro Kirishima (voice) |
| Ryo Hirohashi | Minoru Mineta (voice) |
| Tasuku Hatanaka | Denki Kaminari (voice) |
| Kei Shindo | Kyoka Jiro (voice) |
| Rikiya Koyama | Wolfram (voice) |
| Aoi Yuki | Tsuyu Asui (voice) |
| Eri Kitamura | Mina Ashido (voice) |
| Kaori Nazuka | Toru Hagakure (voice) |
| Mitsuru Ogata | Samuel Abraham (voice) |
| Akio Otsuka | All For One (voice) |
| Daigo Yamamoto | Daigo (voice) |
| Nobuyuki Hayakawa | Nobu (voice) |
| Genta Aoki | Pilot (voice) |
| Mami Sugino | Female reporter (voice) |
| Kensuke Sato | Mr. Plastic (voice) |
| Keiji Hirai | Electoplant (voice) |
| Kei Kawamura | Cow Lady (voice) |
| Kiyotaka Furushima | Hanta Sero (voice) |
| Toru Nara | Rikido Sato (voice) |
| Masakazu Nishida | Mezo Shoji (voice) |
| Yoshimasa Hosoya | Fumikage Tokoyami (voice) |
| Ryohei Kimura | David Shield (young) (voice) |
| Kenichi Mochizuki | (voice) |
| Misuzu Togashi | (voice) |
| Takayuki Masuda | (voice) |
| Aya Kawakami | (voice) |
| Masaya Fukunishi | (voice) |
| Wakana Minami | (voice) |
| Ryota Iwasaki | (voice) |
| Haruka Shamoto | (voice) |
| Takahiro Sumi | (voice) |
| Hiroaki Okuda | (voice) |
| Ayako Kamegai | (voice) |
| Aisun Kochu | (voice) |
| Ai Kobayashi | (voice) |
| Atsuhiro Saito | (voice) |
| Risa Joji | (voice) |
| Youko Taniguchi | (voice) |
| Yuuya Tabata | (voice) |
| Honoka Tsumita | (voice) |
| Asami Namiki | (voice) |
| Yuka Hojo | (voice) |
| Yukiko Yamashita | (voice) |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| MFKZ | May 23, 2018 | $0 |
| Napping Princess | Mar 18, 2017 | $0 |
| April and the Extraordinary World | Nov 4, 2015 | $10M |
| Mary and The Witch's Flower | Jul 8, 2017 | $0 |
| Bilal: A New Breed of Hero | Sep 8, 2016 | $30M |
| Huevos: Little Rooster's Egg-Cellent Adventure | Sep 4, 2015 | $5M |
| Mirai | Jun 16, 2018 | $0 |
| Lu Over the Wall | May 19, 2017 | $0 |
Profitability Breakdown
Domestic
Week 1: $4.12M
Week 2: $1.31M
Investor Share: $720.91K
Week 3+: $0.00
Investor Share: $0.00
International
$22.08M (80.27%)
Investor Share: $7.73M
Costs
Budget: $12M
P&A: $12M
Breakdown
Gross: $27.51M
Net: $10.92M
Costs: $24M
Profit
Profit: $-13.08M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
Production Companies
