Movie Information
Domestic Total: 32.28K
Opening Weekend: 23.07K
Legs: 1.40
Overview: When blind former Olympic skier Sophie Scott cat-sits in a secluded mansion, she gets caught in the crossfire of a home invasion scheme. She must rely on a sighted Army veteran via the See for Me app to help her survive the night.
TMDB
IMDB
Metacritic
RT Tomato
RT Popcorn
Letterboxd
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Jan 7, 2022 | $6,623 | + 0.00% | 35 |
| Sat, Jan 8, 2022 | $9,988 | + 50.81% | 35 |
| Sun, Jan 9, 2022 | $6,459 | -35.33% | 35 |
| Mon, Jan 10, 2022 | $2,499 | -61.31% | 35 |
| Tue, Jan 11, 2022 | $2,729 | + 9.20% | 35 |
| Wed, Jan 12, 2022 | $2,251 | -17.52% | 35 |
| Thu, Jan 13, 2022 | $1,731 | -23.10% | 35 |
Cast
| Name | Character |
|---|---|
| Skyler Davenport | Sophie Scott |
| Jessica Parker Kennedy | Kelly |
| Laura Vandervoort | Debra |
| Pascal Langdale | Ernie |
| George Tchortov | Otis |
| Joe Pingue | Dave |
| Emily Piggford | Deputy Brooks |
| Keaton Kaplan | Cam |
| Kim Coates | Rico |
| Matthew Gouveia | Cabbie |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Safer at Home | Feb 26, 2021 | $0 |
| The Dead Center | Oct 11, 2019 | $0 |
| The Call | Oct 23, 2020 | $0 |
| Regression | Oct 1, 2015 | $20M |
| Green Room | Apr 15, 2016 | $5M |
| Mandy | Sep 13, 2018 | $6M |
| Destroyer | Dec 25, 2018 | $9M |
| Cop Car | Jul 8, 2015 | $800K |
Profitability Breakdown
Domestic
Week 1: $32.28K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
International
$456.26K (93.39%)
Investor Share: $159.69K
Costs
Budget: $N/A
P&A: $N/A
Breakdown
Gross: $488.54K
Net: $179.06K
Costs: $0.00
Profit
Profit: $179.06K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
