Domestic Total: 4.23M
Opening Weekend: 1.76M
Legs: 2.41
Overview: A journalist and podcaster from New York City travels to West Texas in order to report on the death of a girl he was hooking up with.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Jul 29, 2022 | $658,425 | + 0.00% | 998 |
| Sat, Jul 30, 2022 | $631,440 | -4.10% | 998 |
| Sun, Jul 31, 2022 | $465,460 | -26.29% | 998 |
| Mon, Aug 1, 2022 | $196,970 | -57.68% | 998 |
| Tue, Aug 2, 2022 | $273,570 | + 38.89% | 998 |
| Wed, Aug 3, 2022 | $197,140 | -27.94% | 998 |
| Thu, Aug 4, 2022 | $135,020 | -31.51% | 998 |
| Fri, Aug 5, 2022 | $202,705 | + 50.13% | 1003 |
| Sat, Aug 6, 2022 | $296,695 | + 46.37% | 1003 |
| Sun, Aug 7, 2022 | $226,310 | -23.72% | 1003 |
| Mon, Aug 8, 2022 | $93,150 | -58.84% | 1003 |
| Tue, Aug 9, 2022 | $126,875 | + 36.21% | 1003 |
| Wed, Aug 10, 2022 | $99,835 | -21.31% | 1003 |
| Thu, Aug 11, 2022 | $66,425 | -33.47% | 1003 |
| Fri, Aug 12, 2022 | $61,010 | -8.15% | 431 |
| Sat, Aug 13, 2022 | $91,880 | + 50.60% | 431 |
| Sun, Aug 14, 2022 | $62,585 | -31.88% | 431 |
| Mon, Aug 15, 2022 | $25,665 | -58.99% | 431 |
| Tue, Aug 16, 2022 | $37,400 | + 45.72% | 431 |
| Wed, Aug 17, 2022 | $26,325 | -29.61% | 431 |
| Thu, Aug 18, 2022 | $18,125 | -31.15% | 431 |
| Fri, Aug 19, 2022 | $28,175 | + 55.45% | 167 |
| Sat, Aug 20, 2022 | $42,765 | + 51.78% | 167 |
| Sun, Aug 21, 2022 | $29,030 | -32.12% | 167 |
| Mon, Aug 22, 2022 | $9,210 | -68.27% | 167 |
| Tue, Aug 23, 2022 | $12,980 | + 40.93% | 167 |
| Wed, Aug 24, 2022 | $9,970 | -23.19% | 167 |
| Thu, Aug 25, 2022 | $9,405 | -5.67% | 167 |
| Fri, Aug 26, 2022 | $19,305 | + 105.26% | 106 |
| Sat, Aug 27, 2022 | $31,035 | + 60.76% | 106 |
| Sun, Aug 28, 2022 | $16,675 | -46.27% | 106 |
| Mon, Aug 29, 2022 | $5,170 | -69.00% | 106 |
| Tue, Aug 30, 2022 | $6,650 | + 28.63% | 106 |
| Wed, Aug 31, 2022 | $6,905 | + 3.83% | 106 |
| Thu, Sep 1, 2022 | $5,435 | -21.29% | 106 |
| Name | Character |
|---|---|
| B.J. Novak | Ben Manalowitz |
| Boyd Holbrook | Ty Shaw |
| J. Smith-Cameron | Sharon Shaw |
| Issa Rae | Eloise |
| Ashton Kutcher | Quentin Sellers |
| Lio Tipton | Abilene Shaw |
| Dove Cameron | Kansas City Shaw |
| Isabella Amara | Paris Shaw |
| Eli Bickel | El Stupido Shaw |
| John Mayer | John |
| Louanne Stephens | Granny Carole Shaw |
| Zach Villa | Sancholo |
| Clint Obenchain | Crawl |
| Rio Alexander | Sheriff Jimenez |
| Ryan Hammond | Det. Keith St. John |
| Ben Whitehair | Officer Dan |
| Grayson Berry | Officer Mike |
| Nathaniel Augustson | Rowdy Stranger #1 |
| Sean J. Dillingham | Rowdy Stranger |
| Ivan Hernandez | Sancholo's Thug |
| David Hight | Cowboy |
| Tracy S. Lee | Radio Intern |
| Adrianne Lovato | Texan Line Dancer |
| Micah McNeil | Texas Tech Fan |
| Mike Miller | Doctor |
| Sarah Minnich | N/A |
| Bronwen Murray | Hipster |
| Aaron Rogers | NYC Hipster |
| Tony Sedillo | Sancholo's Associate |
| J. Nathan Simmons | Diner Patron |
| Avalon Stone | Whataburger Waitress |
| Dora Woodrum | Artist / Original Artwork |
| Darlene Kellum | Dancer (uncredited) |
| Gonzalo Robles | Not Sancholo (uncredited) |
| Jeremy Warner | Club Patron (uncredited) |
| Melissa Chambers | (uncredited) |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Money Monster | May 12, 2016 | $27M |
| Suburbicon | Oct 26, 2017 | $25M |
| The Kid Detective | Oct 16, 2020 | $0 |
| The Gift | Jul 31, 2015 | $5M |
| Don't Let Go | Aug 30, 2019 | $5M |
| The Outfit | Feb 25, 2022 | $5M |
| Rough Night | Jun 15, 2017 | $20M |
| Bad Santa 2 | Nov 23, 2016 | $26M |
Week 1: $2.56M
Week 2: $1.11M
Investor Share: $611.6K
Week 3+: $555.7K
Investor Share: $277.85K
$102.93K (2.38%)
Investor Share: $36.03K
Budget: $N/A
P&A: $N/A
Gross: $4.33M
Net: $2.46M
Costs: $0.00
Profit: $2.46M
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.